Belief and doubt -- Fiction; Clergy -- Fiction; Methodists -- Fiction; New York (State) -- Fiction; Psychological fiction
During the ensuing half-hour, the young minister followed about even
more humbly than the clerks in Celia's commanding wake. There were a
good many pianos in the big show-room overhead, and Theron found himself
almost awed by their size and brilliancy of polish, and the thought of
the tremendous sum of money they represented altogether. Not so with the
organist. She ordered them rolled around this way or that, as if they
had been so many checkers on a draught-board. She threw back their
covers with the scant ceremony of a dispensary dentist opening paupers'
mouths. She exploited their several capacities with masterful hands,
not deigning to seat herself, but just slightly bending forward, and
sweeping her fingers up and down their keyboards--able, domineering
fingers which pounded, tinkled, meditated, assented, condemned, all in
a flash, and amid what affected the layman's ears as a hopelessly
discordant hubbub.
Theron moved about in the group, nursing her parasol in his arms, and
watching her. The exaggerated deference which the clerks and salesmen
showed to her as the rich Miss Madden, seemed to him to be mixed with a
certain assertion of the claims of good-fellowship on the score of her
being a musician. There undoubtedly was a sense of freemasonry between
them. They alluded continually in technical terms to matters of which he
knew nothing, and were amused at remarks of hers which to him carried no
meaning whatever. It was evident that the young men liked her, and that
their liking pleased her. It thrilled him to think that she knew he
liked her, too, and to recall what abundant proofs she had given that
here, also, she had pleasure in the fact. He clung insistently to the
memory of these evidences. They helped him to resist a disagreeable
tendency to feel himself an intruder, an outsider, among these
pianoforte experts.
When it was all over, Celia waved the others aside, and talked with
Theron. “I suppose you want me to tell you the truth,” she said.
“There's nothing here really good. It is always much better to buy of
the makers direct.”
“Do they sell on the instalment plan?” he asked. There was a wistful
effect in his voice which caught her attention.
She looked away--out through the window on the street below--for
a moment. Then her eyes returned to his, and regarded him with a
comforting, friendly, half-motherly glance, recalling for all the world
the way Sister Soulsby had looked at him at odd times.
“Oh, you want it at once--I see,” she remarked softly. “Well, this
Adelberger is the best value for the money.”
Mr. Ware followed her finger, and beheld with dismay that it pointed
toward the largest instrument in the room--a veritable leviathan among
pianos. The price of this had been mentioned as $600. He turned over the
fact that this was two-thirds his yearly salary, and found the courage
to shake his head.
Public-domain text, read in full here on John Shaqi.
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