The Scotch folk-dances, which surpass the English by their more
rigorous movement and spirited steps, picture graphically the simple,
industrious traits of a thrifty race. The most characteristic of the
Scotch folk-dances are the _Highland Fling_, the _Scotch Reel_, and the
_Shean Treuse_. All the Scotch dances are more or less variants of the
previously described English ones. They have the same strong, sporty
rhythm and jaunty bearing as the others. Their choreographic figures
are so closely related to the English, and the English to theirs, that
it were superfluous to give a detailed description of them on this
occasion. Perhaps the _Scotch Reel_ shows most typical traits of the
Scottish race. This dance requires four ladies and four gentlemen, who
all join hands, forming a circle. Then the gentlemen and ladies cross
their hands and move eight steps forward and eight steps back in the
style of a promenade. The gentleman balances his partner, swinging his
right and left arms alternately and proceeds through the chain, the
ladies separating left, the gentlemen right, until all arrive at their
previous positions. The first lady goes into the centre of the ring
while others hop around her until they reach their original position,
after which the lady in the centre balances to her partner and back to
the opposite gentleman in a half-swing, forming occasionally a chain
of three. Thus it goes on until all the four ladies have done, after
which the gentlemen follow the same figures and steps. All their steps
are of a sharp, skipping nature and the lines of their poses remind
one of the designs on their checked decorations and on the patterns of
their bright and plain dresses. Noteworthy among the Scotch folk-dances
is the _Hornpipe_, which has been a favored dance of the sailors and
peasants. Its lively, rapid measure, so far as the feet are concerned,
the folded arms, the firm and stiff body are typical characteristics
of a Scotchman’s manners. The dance owes its name to the fact that it
is performed to the music of a pipe with a horn rim at the open end.
There are an infinite variety of _Hornpipes_ and of music to which they
can be danced, either in common or triple time, the final note having a
special stress laid on it.
Public-domain text, read in full here on John Shaqi.
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