A figure of Death as a naked old man with a long beard. He leans on a pedestal, on which are placed a scull and an hour-glass, and with his left hand draws towards him a draped female, who holds a globe in her left hand. At the bottom of the print, MORS OMNIA MVTAT, with the unknown monogram [monogram: BAD]. Upright, 5 inches by 2-3/4. It is a very rare print on copper, not mentioned by Bartsch. A small anonymous wood print of Death playing on a vielle, or beggar's lyre. An ancient anonymous copper engraving of Death standing on a bier, and laying hands upon a youth over whom are the words, "Ach got min sal ich," and over Death, "hie her by mich." Both inscriptions on labels. Bartsch, x. p. 54, No. 30. An allegorical engraving on copper by Cuerenhert, after Martin Heemskirk, 1550. A naked man bestrides a large sack of money, on which a figure or statue of Hope is standing. Death with one hand levels his dart at the terrified man, and holds a circle in the other. The money is falling from the sack, and appears to have demolished the hour-glass of Death. Upright, 11 inches by 8. At bottom, these lines: Maer als hemdie eininghe doot comt voer ogen Dan vint hii hem doer üdele hope bedrogen. There is a smaller copy of it. A circular engraving, two inches diameter, of a pair of lovers in a garden. The lady is playing on a harp, her companion's lute is on the ground. They are accompanied by a fool, and Death behind is standing with a dart in his hand ready for aim at the youthful couple. A very large engraving on wood tinted in chiaroscuro. It represents a sort of triumphal arch at the top of which is a Death's head, above, an hour-glass between two arm bones, that support a stone; evidently borrowed from the last cut of the arms of Death in the Lyons wood-cuts. Underneath, the three Fates between obelisks crowned with Deaths' heads and crosses, with the words [Greek: MNÊMONEUE APOPSYCHEIN] and ITER AD VITAM. In the middle, a circle with eight compartments, in which are skeleton heads of a pope, an emperor, &c. with mottoes. In the extremity of the circle, the words "Post hoc autem judicium statutum est omnibus hominibus semel mori." The above obelisks are supported by whole length figures of Death, near which are shields with BONIS BONA and MALIS MALA. On the pedestals that support the figures of Death are shields inscribed MEMENTO MORI and MEMORARE NOVISSIMA. Underneath the circle, a sort of table monument with Death's head brackets, and on its plinth a sceptre, cardinal's cross, abbot's crozier, a vessel with money, and two books. Between the brackets, in capitals: TRIA SUNT VERE QVÆ ME FACIVNT FLERE. And underneath in italics: Primum quidem durum, quia scio me moriturum. Secundum vero plango, quia moriar, et nescio quando. Tertium autem flebo, quia nescio ubi manebo.