A German anonymous print, apparently from a book of emblems, representing Death waiting with a scythe to cut off the following persons: 1. A lady. 2. A gentleman. 3. An advocate. 4. A soldier: and, 5. A preacher. Each has an inscription. 1. Ich todt euch alle (I kill you all). 2. Ich erfrew euch alle (I rejoice you all). 3. Ich eruhr euch alle (I honour you all). 4. Ich red fur euch alle (I speak for you all). 5. Ich fecht fur euch alle (I fight for you all). 6. Ich bett fur euch alle (I pray for you all). With verses at bottom, in Latin and German. Oblong, 5-1/4 by 4. An anonymous engraving of a naked youth who with a sword strikes at the head of Death pursuing another youth. Oblong, 9-1/2 by 5-1/2. An upright engraving, 5-1/2 by 4, representing a young man on horseback holding a hawk on his fist, and surrounded by various animals. Death holding an hour-glass, strikes at him with his dart. Behind, the tree of knowledge, with the serpent and apple. At bottom, on the right, are the initials T. P. ex. An engraving of the Duke of Savoy, who, attended by his guards, receives petitions from various persons. Before him stands in a cloud the angel of Death, who points towards heaven. At bottom, on the left, "Delphinus pinxit. Brambilla del. 1676," and on the right, "Nobilis de Piene S. R. C. Prim. cælator f. Taur." Oblong, 10-1/2 by 7-1/2. An engraving by De Gheyn, intitled, "Vanitas, idelheit." A lady is sitting at a table, on which is a box of jewels and a heap of money. A hideous female Death strikes at her with a flaming dart, which, at the same time, scatters the leaves of a flower which she holds in her left hand. Upright, 9 by 7. A very small circular wood-cut, apparently some printer's device, representing an old and a young man, holding up a mirror, in which is reflected the figure of Death standing behind them, with the motto, "Beholde your glory." An anonymous print of Death and the miser. Death seizes his money, which he conveys into a dish. Upright, 3-1/2 by 2-1/2. It is a copy from the same subject in the Lyons wood-cuts. 1700-1800. An anonymous modern copy of Death and the bridegroom, copied from the Lyons wood-cuts, edition 1562. An etching of Death, with an hour-glass in one hand and a cane in the other, entering a room where a poor poet has been writing, and who would willingly dispense with the visit. At bottom "And when Death himself knocked at my door, ye bad him come again; and in so gay a tone of careless indifference did ye do it, that he doubted of his commission. There must certainly be some mistake in this matter, quoth he." The same in Italian. This is one of Patch's caricatures after Ghezzi. Upright, 16-1/2 by 12.