It must be remembered that “intuition” is a word with all sorts of philosophical meanings, in addition to its psychological meanings (which were studied some years ago by Dearborn in the _Psychological Review_). For the ancient philosophic writers, from the Neo-Platonists on, it was usually a sort of special organ for coming in contact with supernatural realities; for Bergson it is at once a method superior to the intellect for obtaining knowledge and a method of æsthetic contemplation; for Croce it is solely æsthetic, and art is at once “intuition” and “expression” (by which he means the formation of internal images). For Croce, when the mind “intuits” by “expressing,” the result is art. There is no “religion” for Croce except philosophy. Footnote 88: The modern literature of the Mysteries, especially of Eleusis, is very extensive and elaborate in many languages. I will only mention here a small and not very recent book, Cheetham’s Hulsean Lectures on _The Mysteries Pagan and Christian_ (1897) as for ordinary readers sufficiently indicating the general significance of the Mysteries. There is, yet briefer, a more modern discussion of the matter in the Chapter on “Religion” by Dr. W. R. Inge in R. W. Livingstone’s useful collection of essays, _The Legacy of Greece_ (1921). CHAPTER VI THE ART OF MORALS I NO man has ever counted the books that have been written about morals. No subject seems so fascinating to the human mind. It may well be, indeed, that nothing imports us so much as to know how to live. Yet it can scarcely be that on any subject are the books that have been written more unprofitable, one might even say unnecessary.