Morality, Greek, an artistic balance of light and shade, 260; a matter of taste, 263; the æsthetic quality of, evidenced by language, 263, 264; Shaftesbury’s views on, 264-66; the influence of Shaftesbury on our modern, 266, 267; imagination in, 272; instinctive, according to Hutcheson, 274; conception of, as an art, does not lack seriousness, 276; the æsthetic view of, advocated by Catholics, 276 _n._; the æsthetic view of, repugnant to two classes of minds, 280-82; indefiniteness of criterion of, an advantage, 282, 283; justification of æsthetic conception of, 283, 284; flexible and inflexible, illustrated by Jesuits and Pascal, 303-05; art the reality of, 314; æsthetic, of the Greeks, 316-18; the antinomy between morals and, 319; a restraint placed upon the possessive instinct, 338-40; to be replaced by æsthetic instinct, 340, 341; æsthetic instinct has the character of, 346. Morals, dancing as, 61, 63, 66; books on, 244; defined, 245; means _custom_, 245; Plotinus’s conception of, 250-52; as art, views of the Greeks and the Romans on, differ, 252; Hebrews never conceived of the art of, 253; as art, modern conception of, 253; the modern feeling about, is Jewish and Roman, 253; Kant’s idea of the art of, 253, 254; formed by instinct, tradition and reason, 254-59; Greek, have come to modern world through Shaftesbury, 267; the æsthetic attitude possible for spectator of, 270; art and æsthetics to be kept apart in, 314, 315, 325-28; a species of the genus art, 316; the antinomy between morality and, 319; philosophers have failed to see that it is an art, 324. _Morisco_, the, 49 _n._ Mozart, Wolfgang, his interest in dancing, 62. Müller-Freienfels, Richard, two kinds of æsthetic contemplation defined by, 331. Multatuli, quoted on the source of curiosity, 112. Music, and ceremony, 24-26; and acting, and poetry, 36; and singing, and dancing, their relation, 62; a science or art, 68; discovery of Pythagoras in, 74; philosophy the noblest and best, 81 _n._; the most abstract, the most nearly mathematical of the arts, 135; of style, 163, 164; of philosophy and religion, 179. Musical forms, evolved from similar dances, 62. Musical instruments, 53, 54. Musset, Alfred de, his _Confession d’un Enfant du Siècle_, 144. Mysteries, the Eleusinian, 240-43. Mystic, the genuine, 202; Lao-tze, the earliest great, 204. Mystics, the great, 236, 237.