Poet, the type of all thinkers, 102; Landor on, 154; his attitude in the presence of Nature, 168, 169; the great, does not describe Nature minutely, but uses his knowledge of, 170, 171. Poetry, Chinese, 21, 22, 29, 32; and music, and acting, 36; and dancing, 56; and philosophy, 83, 85; and science, no sharp boundary between, 102, 128, 129; Landor on, 154; a _making_, 312; Aristotle’s view of, 318; does not exist for morals, 318. Polka, origin of the, 60. Polynesia, dancing in, 49. Polynesian islanders, 255. Pontiff, the Bridge-Builder, 2. Pope, Alexander, influence of Shaftesbury on, 266. Porphyry, 167. Possessive impulses, 306, 307, 341-43. Possessive instinct, restraints placed upon, 338-40; in Gaultier and Russell, 344; excesses of, 351. Pottery, of the Chinese, 32, 33; of the Greeks and the Minoan predecessors of the Greeks, 32. Pound, Miss, on the origin of the ballad, 62 _n._ Pragmatism, 323. Pragmatists, the, 93, 231, 232. Precious stones, attitude of the poet toward, 169. Preposition, the post-habited, 146, 147, 162. Prettiness, and beauty, 315 _n._ Priest, cultivated science in form of magic, 195; and doctor, originally one, 197 _n._, 203. Prodicus, 302; the Great Moralist, 6 _n._ Progress, 143, 149; on meaning of, 287. Prophecy, 204. _Prophet_, meaning of the word, 203, 204. Propriety, 24-26. Protagoras, significance of his ideas, in conception of life as an art, 3, 4; his interest for us to-day, 3; his dictum “Man is the measure of all things,” 3, 302; concerned to regard living as an art, 248. Proust, Marcel, 172, 184; his art, 170 _n._, 186, 187; his _A la Recherche du Temps Perdu_, 171, 187; admiration of, for Ruskin, 316 _n._ Puberty, questions arising at time of, 105-07. Puritanism, reaction against, represented by Hutcheson, 271. Pygmalionism, 353 _n._ Pygmies, the dancing of the, 51. Pythagoras, represents the beginning of science, 73, 74; fundamentally an artist, 74, 75; founded religious brotherhoods, 206, 207. Quatelet, on social questions, 288. Quoting, by writers, 152. Rabbitism, 294. Rabelais, François, 148, 165, 358. Race mixture, 308. Raleigh, Sir Walter, his literary style, 143. Ramedjenis, the, street dancers, 52. Rank, Dr. Otto, his essay on the artist, 111. Realism, 83. Realists, 70, 341 _n._ Reality, a flux of happening, 101. Reason, helps to mould morals, 255-59. Reid, Thomas, influenced by Hutcheson, 275. Relativism, Protagoras the father of, 3.