The Danger MarkChambers, Robert W. (Robert William)
General
The Danger Mark
Chambers, Robert W. (Robert William)
New York (N.Y.) -- Social life and customs -- Fiction
There were two adorable nude studies of Miller's granddaughters, aged
six and seven--quaintly and engagingly formal in their naive
astonishment at finding themselves quite naked. There was a fine sketch
of Howker, wrinkled, dim-eyed, every inch a butler, every fibre in him
the dignified and self-respecting, old-time servant, who added his
dignity to that of the house he had served so long and well. The latter
picture was masterly, recalling Gandara's earlier simplicity and
Whistler's single-minded concentration without that gentleman's rickety
drawing and harmonious arrangements in mud.
For in Duane's work, from somewhere deep within, there radiated outward
something of that internal glow which never entirely fades from the
canvases of the old masters--which survives mould and age, the opacity
of varnish, and the well-intentioned maltreatment of unbaked curators.
There was no mystery about it; he prepared his canvas with white-lead,
gave it a long sun-bath, modelled in bone-black and an earth-red, gave
it another bath in the sun, and then glazed. This, a choice of
permanent colours, and oil as a medium, was the mechanical technique.
Standing there, thoughts remote, idly sorting and re-sorting his
brushes, he heard the birds singing on the forest's edge, heard the wind
in the pines blowing, with the sound of flowing water, felt the warmth
of the sun, breathed the mounting freshness from the fields. Life was
still very, very young; it had only begun since love had come, and that
was yesterday.
And as he stood there, happy, a trifle awed as he began to understand
what life might hold for him, there came quick steps on the stair, a
knock, her voice outside his door:
"Duane! May I come in?"
He sprang to the door; she stepped inside, breathing rapidly, delicately
flushed from her haste.
"I couldn't stand it any longer, so I left Scott to scrape and bow and
pull his forelock. I've got to go back in a few minutes. Are you glad to
see me?"
He took her in his arms.
"Dearest, dearest!" she murmured, looking at him with all her heart in
her brown eyes.
So they stood for a little while, her mouth and body acquiescent to his
embrace.
"Such a long, long time since I saw you. Nearly half an hour," he said.
"Yes." She drew away a little:
"Do you know," she said, looking about her, over his shoulder, "I have
never been here since you took it as a studio."
She caught a glimpse of the picture on the easel, freed herself, and,
retaining his hand in both of hers, gazed curiously at Rosalie's
portrait.
"How perfectly charming!" she said. "But, Duane, there's a sort of
exquisite impudence about what you've done! Did you mean to gently and
disrespectfully jeer at our mincing friends, Boucher, Nattier, _et
al._?"
"I knew you'd understand!" he exclaimed, delighted. "Oh, you wonderful
little thing--you darling!" He caught her to him again, but she twisted
away and tucked one arm under his:
Public-domain text, read in full here on John Shaqi.
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