The Danger MarkChambers, Robert W. (Robert William)
General
The Danger Mark
Chambers, Robert W. (Robert William)
New York (N.Y.) -- Social life and customs -- Fiction
The forest, in every direction, was strung with lighted lanterns; tall
torches burning edged the Gray Water, and every flame rippled straight
upward in the still air.
Through the dark, mid-summer woodland music of violin, viola, and
clarionet rang out, and the laughter and jolly uproar of the dancers
swelled and ebbed, with now and then sudden intervals of silence slowly
filled by the far noise of some unseen stream rushing westward under the
stars.
Glade, greensward, forest, aisles, and the sylvan dancing floor, bounded
by garlanded and beribboned pillars, swarmed with a gay company.
Torchlight painted strange high lights on silken masks, touching with
subdued sparkles the eyes behind the slanting eye-slits; half a thousand
lanterns threw an orange radiance across the glade, bathing the whirling
throngs of dancers, glimmering on gilded braid and sword hilt, on
powdered hair, on fresh young faces laughing behind their masks; on
white shoulders and jewelled throats, on fan and brooch and spur and
lacquered heel. There was a scent of old-time perfume in the air, and,
as Duane adjusted his mask and drew near, he saw that sets were already
forming for the minuet.
He recognised Dysart, glorious in silk and powder, perfectly in his
element, and doing his part with eighteenth-century elaboration;
Kathleen, tres grande-dame, almost too exquisitely real for counterfeit;
Delancy Grandcourt, very red in the face under his mask, wig slightly
awry, conscientiously behaving as nearly like a masked gentleman of the
period as he knew how; his sister Naida, sweet and gracious; Scott,
masked and also spectacled, grotesque and preoccupied, casting patient
glances toward the dusky solitudes that he much preferred, and from
whence a distant owl fluted at intervals, inviting his investigations.
And there were the Pink 'uns, too, easily identified, having all sorts
of a good time with a pair of maskers resembling Doucette Landon and
Peter Tappan; and there in powder, paint, and patch capered the
Beekmans, Ellises, and Montrosses--all the clans of the great and
near-great of the country-side, gathering to join the eternal hunt for
happiness where already the clarionets were sounding "Stole Away."
For the quarry in that hunt is a spectre; sighted, it steals away; and
if one remains very, very still and listens, one may hear, far and
faint, the undertone of phantom horns mocking the field that rides so
gallantly.
"Stole away," whispered Duane in Kathleen's ear, as he paused beside
her; and she seemed to know what he meant, for she nodded, smiling:
"You mean that what we hunt is doomed to die when we ride it down?"
"Let us be in at the death, anyway," he said. "Kathleen, you're charming
and masked to perfection. It's only that white skin of yours that
betrays you; it always looks as though it were fragrant. Is that
Geraldine surrounded three deep--over there under that oak-tree?"
"Yes; why are you so late, Duane? And I haven't seen Rosalie, either."
Public-domain text, read in full here on John Shaqi.
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