The Danger MarkChambers, Robert W. (Robert William)
General
The Danger Mark
Chambers, Robert W. (Robert William)
New York (N.Y.) -- Social life and customs -- Fiction
He said in a voice under perfect control: "You're right; the chances you
care to take with me concern yourself. As for your ill-humour, I suppose
I have earned it by being attentive to your wife. What is it you wish;
that my hitherto very harmless attentions should cease?"
"Yes," said Dysart, and his square jaw quivered.
"Well, they won't. It takes the sort of man you are to strike classical
attitudes. And, absurd as the paradox appears--and even taking into
consideration your notorious indifference to your wife and your rather
silly reputation as a debutante chaser--I do believe, Dysart, that, deep
inside of you somewhere, there is enough latent decency to have inspired
this resentment toward me--a resentment perfectly natural in any man who
acts squarely toward his wife--but rather far fetched in your case."
Dysart, pallid, menacing, laid his hand on a chair.
The other laughed.
"As bad as that?" he asked contemptuously. "Don't do it, Dysart; it
isn't in your line. You're only a good-looking, popular, dancing man;
all your deviltry is in your legs, and I'd be obliged if they'd
presently waft you out of my room."
"I suppose," said Dysart unsteadily, "that you would make yourself
noisily ridiculous if I knocked your blackguard head off."
"It's only in novels that people are knocked down successfully and
artistically," admitted the other. "In everyday life they resent it.
Yes--if you do anything hysterical there will be some sort of a
disgraceful noise, I suppose. It's shoot or suit in these unromantic
days, Dysart, otherwise the newspapers laugh at you."
Dysart's well-shaped fists relaxed, the chair dropped, but even when he
let it go murder danced in his eyes.
"Yes," he said, "it's shoot or a suit in these days; you're perfectly
right, Mallett. And we'll let it go at that for the present."
He stood a moment, straight, handsome, his clearly stencilled eyebrows
knitted, watching Duane. Whatever in the man's face and figure was
usually colourless, unaccented, irresolute, disappeared as he glared
rigidly at the other.
For there is no resentment like the resentment of the neglectful, no
jealousy like the jealousy of the faithless.
"To resume, in plain English," he said, "keep away from my wife,
Mallett. You comprehend that, don't you?"
"Perfectly. Now get out!"
Dysart hesitated for the fraction of a second longer, as though perhaps
expecting further reply, then turned on his heel and walked out.
Later, while Duane was examining his own costume preparatory to trying
it on, Scott Seagrave's spectacled and freckled visage protruded into
the room. He knocked as an after-thought.
"Rosalie sent me. She's dressed in all her gimcracks and wants your
expert opinion. I've got to go----"
"Where is she?"
"In her room. I'm going out to the hatchery with Kathleen----"
"Come and see Rosalie with me, first," said Duane, passing his arm
through Scott's and steering him down the sunny corridor.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account