The Dangerous Classes of New York, and Twenty Years' Work Among ThemBrace, Charles Loring
History
The Dangerous Classes of New York, and Twenty Years' Work Among Them
Brace, Charles Loring
Child welfare -- New York (State) -- New York; New York (N.Y.) -- Social conditions; Poor -- New York (State) -- New York
His main work, however, is in the "office" of the Children's Aid
Society, which I have described above. Though a plain half-Quaker
himself, he has all the tact of a _diplomat,_ and manages the
complicated affairs of poverty and crime that come before him with a
wonderful skin, getting on as well with the lady as the street-vagrant,
and seldom ever making a blunder in the thousand delicate matters which
pass through his hands. When it is remembered that some seventeen
thousand street-children have passed through that office to homes in the
country, and that but one lawsuit has ever occurred about them (and that
through no mistake of the Society), while numbers of bitter enemies
watch every movement of this charity, it will be seen with what
consummate judgment these delicate matters have been managed. Besides
all this, he is the guide, philosopher, and friend of hundreds of these
young wayfarers in every part of the country, sustaining with them an
enormous correspondence; but, as sympathy, and advice, and religious
instruction on such a gigantic scale would soon weary out even his
vitality, he stereotypes his letters, and, by a sort of pious fraud,
says to each what is written for all. It is very interesting to come
across the quaint, affectionate words and characteristic expressions of
this devoted philanthropist addressed to "his boys," but put up in
packages of a thousand copies, and to think to how many little rovers
over the land they bring sympathy and encouragement.
CHAPTER XXIII.
RAISING MONEY FOR A CHARITY.
One of the trials of a young Charity is raising money. I was determined
to put this on as sound and rational a basis as possible. It seemed to
me, that, if the facts were well known in regard to the great suffering
and poverty among the children in New York, and the principles of our
operations were well understood, we could more safely depend on this
enlightened public opinion and sympathy than on any sudden "sensation"
or gush of feeling.
Our Board fully concurred in these views, and we resolutely eschewed all
"raffles" and pathetic exhibitions of abandoned children, and
"pedestrian" or other exhibitions offered as for the benefit of
humanity, and never even enjoyed the perfectly legitimate benefit of a
"fair." Once, in a moment of enthusiasm I was led into arranging a
concert, for the benefit of a School; but that experience was enough.
Our effort at musical benevolence became a series of most inharmonious
squabbles. The leading soprano singer had a quarrel with the bass; the
instrumental split with the vocal performers; our best solo went off in
a huff, and, at last, by superhuman exertions, we reconciled the
discordant elements and got our concert fairly before the public, and
retired with a few hundred dollars.
Public-domain text, read in full here on John Shaqi.
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