Denmark -- History -- To 1241; Folklore -- Scandinavia
After these deeds in Denmark, Amleth equipped three vessels, and went
back to Britain to see his wife and her father. He had also enrolled in
his service the flower of the warriors, and arrayed them very choicely,
wishing to have everything now magnificently appointed, even as of old
he had always worn contemptible gear, and to change all his old devotion
to poverty for outlay on luxury. He also had a shield made for him,
whereon the whole series of his exploits, beginning with his earliest
youth, was painted in exquisite designs. This he bore as a record of his
deeds of prowess, and gained great increase of fame thereby. Here were
to be seen depicted the slaying of Horwendil; the fratricide and incest
of Feng; the infamous uncle, the whimsical nephew; the shapes of the
hooked stakes; the stepfather suspecting, the stepson dissembling; the
various temptations offered, and the woman brought to beguile him; the
gaping wolf; the finding of the rudder; the passing of the sand; the
entering of the wood; the putting of the straw through the gadfly; the
warning of the youth by the tokens; and the privy dealings with the
maiden after the escort was eluded. And likewise could be seen the
picture of the palace; the queen there with her son; the slaying of the
eavesdropper; and how, after being killed, he was boiled down, and so
dropped into the sewer, and so thrown out to the swine; how his limbs
were strewn in the mud, and so left for the beasts to finish. Also
it could be seen how Amleth surprised the secret of his sleeping
attendants, how he erased the letters, and put new characters in their
places; how he disdained the banquet and scorned the drink; how
he condemned time face of the king and taxed the Queen with faulty
behaviour. There was also represented the hanging of the envoys, and
the young man's wedding; then the voyage back to Denmark; the festive
celebration of the funeral rites; Amleth, in answer to questions,
pointing to the sticks in place of his attendants, acting as cupbearer,
and purposely drawing his sword and pricking his fingers; the sword
riveted through, the swelling cheers of the banquet, the dance growing
fast and furious; the hangings flung upon the sleepers, then fastened
with the interlacing crooks, and wrapped tightly round them as they
slumbered; the brand set to the mansion, the burning of the guests, the
royal palace consumed with fire and tottering down; the visit to the
sleeping-room of Feng, the theft of his sword, the useless one set
in its place; and the king slain with his own sword's point by his
stepson's hand. All this was there, painted upon Amleth's battle-shield
by a careful craftsman in the choicest of handiwork; he copied truth in
his figures, and embodied real deeds in his outlines. Moreover, Amleth's
followers, to increase the splendour of their presence, wore shields
which were gilt over.
Public-domain text, read in full here on John Shaqi.
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