A Hungarian critic, writing in 1898, said of Maurus Jókai: “The
number of his works is very great, and although over fifty years have
elapsed since the appearance of his first novel (in 1846), he is still
enriching Hungarian and European literature with ever new works. Nearly
everything has changed in Hungary during the last forty years; but
the love and admiration for the genius of Jókai has never suffered
diminution. In his chequered life there is not a blot, and in his long
career there is not a single dark spot. Pure, manly, upright as a
patriot, faithful and loving as a husband, loyal as a subject, kind as
a patron, indefatigable as a worker, and, highest of all, a true friend
both to men, fatherland and literature, he has given his nation not
only great literary works to gladden and enlighten them, but also a
sterling example of Magyar virtue and Magyar honour.”
Opposite to Kómarom (Komorn) is the small town of Szöny, with remains
indicating a past of some importance in the distant days when it was
the Brigetio of the Roman occupation. Leaving the low-lying place of
many fortifications--mostly hidden from sight as we journey along the
river--with its pleasant river-side promenade, the trees of which
successfully mask the walls, we soon find ourselves approaching low
hills on the right, which promise that the tedious sameness of this
part of the journey is about to be varied, and among which half a dozen
miles inland is the beautiful Lake Tata with the towns of Tata and
Tóváros and their interesting surroundings, but they lie too far from
the river for our present purpose. As we near the rounded hills, the
northern portion of the Tata Mountains, some of the marble quarries
for which the district is remarkable are to be seen, while a long row
of handsome poplars near the shore is a striking feature. At Nezmély
(Nesmühl) we reach one of the famous centres of Hungarian wine-growing.
Here the river offers a broad expanse of water though far ahead loom
the mountains that are once more to narrow its course, and nearer still
over the trees on the left bank is to be seen a lofty, domed building.
The winding course of the river soon shows that this Italianate
building is really situated on a high bluff on the right bank. It is
the cathedral of Esztergom (Gran) which has been more than once spoken
of as one of the most beautiful achievements of modern architecture.
It is only appropriate that it should form so striking an object as we
near it, for the town is the ecclesiastical centre of the kingdom of
Hungary. It was the Archbishop Rudnay who re-established the primacy at
Esztergom (Gran) in the early part of the nineteenth century and who is
responsible for the magnificent cathedral, which he designed to rival
St. Peter’s at Rome, and which, commenced in 1821, was completed in
1870.
Public-domain text, read in full here on John Shaqi.
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