“What are to me the wild Carpathian mountains with their pine trees? I
may admire them but not love them. Nor does my imagination wander down
into their valleys. Down in the interior of the vast and ocean-like
plains, _there_ I am at home, and _that_ is my world. If I look at the
endless plains my thoughts fly far away, and near to the clouds. I see
between the Danube and the Tisza the smiling picture of the plains.
Under the Fata Morgana sky the herds of the Kuns are grazing near the
wells. I hear the tramp of the furious-riding csikós (cowboys) and the
clacking of their whips. Near the puszta, in the lap of the breeze,
the corn ears are rocking, and with their bright emerald tint they
joyfully crown the land. Here come at twilight the wild ducks, which
are driven away from their rest among the reeds by the swaying of the
wind. Beyond the farms, in the depths of the puszta, stands a lonely
Csárda (inn). It is visited by the thirsty _betyars_ (tramps), who go
to the fair of Kecskemét. Near to the groves of the birches you see
the melons glittering in the sands. Here, close by, nestles the bird,
undisturbed by the children; here is cultivated the maidenhair plant
and the blue cornflower, and the lizards come to take shelter from the
broiling sun under their roots. Far away, where the sky touches the
earth in mist, the blue orchards are to be seen. Behind them the spires
of the churches of the distant towns stand out in dim fog-like streaks.
You are beautiful, Alföld! At least you are beautiful to me. Here I was
born and cradled, and here I would have my eyelids closed, and my tomb
raised.”
The poet’s wish was not realized, for he fell at the battle of Segesvár
(Schassburg) in Transylvania, in 1849, and was buried in an unnamed
grave. Of the Alföld which he loved, we get, as has been said, but
glimpses passing down the Danube. In the autumn when the maize is being
harvested we may see great mounds of the cobs, already husked before
leaving the field, like hillocks of gold awaiting removal, or may see
long wagons, drawn by wide-horned oxen, bearing golden loads to the
granaries.
Again and again, too, we shall see the curious poles which mark the
wells, and form a common characteristic feature of this lowland
scenery. On the top of a tall perpendicular pole is another, placed
transversely; from the thin end hangs a bucket, while the other end
has either the trimmed stump of the tree of which the pole is formed,
or else something heavy bound to it, to afford a counterbalancing
weight when the bucket is drawn up full. A well of this kind is seen by
each of the low white cottages or tiny farmsteads that we pass, and by
them, too, are frequently seen little “granaries,” of the same size and
shape as those to be seen in the north of Spain, but plainer in design.
Public-domain text, read in full here on John Shaqi.
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