For the most part the places of chief importance, the places most
promising as centres in which to stay, are on the left bank--though,
as will be seen, there are exceptions. Indeed, the very first object
that arrests attention is on the right, where the rocky hills are once
more close to the water-side. This is the castle of Schönbühel--a
white-towered building standing on a massy rock at the very point where
the valley narrows between the hills. Schönbühel, unlike so many of
the Danubian castles, is still inhabited. The slender tower gives a
singular appearance to the rock-perched group of buildings, and it is
without surprise that we learn that this romantically placed château
has its ghost, and even--according to one story--a more sinister
visitant in the person of Lucifer himself.
The ghost--I am not quite clear whether of the murderer or of the
murdered--haunts the place in consequence of a horrid crime said to
have been perpetrated by an old-time owner of the place who, believing
his wife to be guilty of some offence, killed her, apparently without
any inquiry into the matter of her supposed crime. The story has been
rendered into ballad form, and the following stanzas indicate the
nature of the tragedy:
“The blood still reddens the mouldering oak,
Where, clasping the blessèd rood,
And bowing her neck to the headsman’s stroke,
Fair Cunigonda stood.
‘I know not the crime for which I die,
My cruel lord,’ said she,
‘But my cause I leave to God on high--
My untimely death to thee!’
Down fell the axe--the life-blood streamed:
But long ere morning prime,
Through the baron’s hall a maniac screamed--
‘She was guiltless of the crime!’”
Beyond the chapel--with its model of Bethlehem--are the mountain
sides, close-grown with maple, oak and other trees. All through the
Wachau, roads may be followed close neighbouring the river along either
bank--that on the left offering the greatest variety of places to be
visited, that on the right passing for the most part through wilder
scenery, but both affording ever-changing picturesque views.
Public-domain text, read in full here on John Shaqi.
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