Leovigild had never had to face a more dangerous crisis. The rebellion
of his son had called out against him all the elements of disorder in
the peninsula. The Suevi swarmed down the Douro; the Imperialists
reoccupied Cordova; Merida, Seville, and Evora hailed Hermenegild as
king; and the discontented provincials, headed by their bishops, began
to stir all over the country. It is the greatest testimonial to
Leovigild’s abilities that he knew how to deal with all these dangers.
First, he turned against the incipient rebellion in the north, and put
it down by banishing or imprisoning some dozen bishops, and by defeating
in battle the Basques, who had come down from their hills to join in the
struggle. After beating them, he founded on their border the town of
Vittoria as a memorial of his success—a town destined to be better
remembered for the great English victory of 1813 than for this ancient
triumph.
Hermenegild was nearly two years in possession of the valley of the
Guadalquivir, but in 582 his father suddenly descended upon him, and
drove him within the walls of Seville. The Suevi came up to raise the
siege, but Leovigild routed their king Miro, and returned to resume his
leaguer. After many months of blockade he stormed the town, but
Hermenegild and his wife escaped to the Romans. The rebel prince took
refuge in the castle of Osset, whither the king followed him, and, by
the huge bribe of 30,000 solidi, induced the Imperialist Government to
sell the town. Hermenegild was dragged from sanctuary, and brought
before his father, who pardoned his rebellion, but stripped him of his
princely insignia, and sent him to live in honourable confinement at
Valencia as a private person.
Leovigild then turned against the Suevi, overran their whole country,
and captured their last king, Andica, whom he interned in a monastery.
Thus the rebellion of Hermenegild had not only failed to ruin the Gothic
state, but had actually led to the subjection of the troublesome
neighbour-kingdom in the north-west, which had hitherto escaped the
Visigothic sword.
Public-domain text, read in full here on John Shaqi.
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