And then the most enduring of all sentient things had moved in him
again; so that he once more felt.... Never again to see those eyes
that had loved him with their light! Never again to kiss her lips!
Frozen—like moonlight to the earth, with the flower still clinging at
her breast. Thrown out on the bank like a plucked water-lily! Dead? No,
no! Not dead! Alive in the night—alive to him—somewhere! Not on this dim
bank, in this hideous backwater, with that dark dumb creature who
had destroyed her! Out there on the river—in the wood of their
happiness—somewhere alive!... And, staggering up past Cramier, who never
moved, he got into his boat, and like one demented pulled out into the
stream.
But once there in the tide, he fell huddled forward, motionless above
his oars....
And the moonlight flooded his dark skiff drifting down. And the
moonlight effaced the ripples on the water that had stolen away her
spirit. Her spirit mingled now with the white beauty and the shadows,
for ever part of the stillness and the passion of a summer night;
hovering, floating, listening to the rustle of the reeds, and the
whispering of the woods; one with the endless dream—that spirit passing
out, as all might wish to pass, in the hour of happiness.
PART III—AUTUMN
I
When on that November night Lennan stole to the open door of his
dressing-room, and stood watching his wife asleep, Fate still waited for
an answer.
A low fire was burning—one of those fires that throw faint shadows
everywhere, and once and again glow so that some object shines for a
moment, some shape is clearly seen. The curtains were not quite drawn,
and a plane-tree branch with leaves still hanging, which had kept them
company all the fifteen years they had lived there, was moving darkly in
the wind, now touching the glass with a frail tap, as though asking
of him, who had been roaming in that wind so many hours, to let it in.
Unfailing comrades—London plane-trees!
Public-domain text, read in full here on John Shaqi.
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