Historical fiction; War stories; World War, 1914-1918 -- Fiction
On the following day there happened to Trenchard the thing that he had
dreaded. Writing of it now I cannot disentangle it from the
circumstances and surroundings of his account of it to me. He was
looking back then, when he spoke to me, to something that seemed
almost fantastic in its ironical reality. Every word of that
conversation he afterwards recalled to himself again and again. As to
Marie Ivanovna I think that he never even began to understand her;
that he should believe in her was a different matter from his
understanding her. That he should worship her was a tribute both to
his inexperience and to his sentiment. But his relation to her and to
this whole adventure of his was confused and complicated by the fact
that he was not, I believe, in himself a sentimental man. What one
supposed to be sentiment was a quite honest and naked lack of
knowledge of the world. As experience came to him sentiment fell away
from him. But experience was never to come to him in regard to Marie
Ivanovna; he was to know as little of her at the end as he had known
at the beginning, and this whole conversation with her (of course, I
have only his report of it) is clouded with his romantic conception of
her. To that I might add also my own romantic conception; if Trenchard
never saw her clearly because he loved her, I never saw her clearly
because--because--why, I do not know.... She was, from first to last,
a figure of romance, irritating, aggressive, enchanting, baffling,
always blinding, to all of us.
During the morning after our arrival in M---- Trenchard worked in the
theatre, bandaging and helping with the transport of the wounded up
the high and difficult staircase. Then at midday, tired with the heat,
the closeness of the place, he escaped into the little park that
bordered the farther side of the road. It was a burning day in
June--the sun came beating through the trees, and as soon as he had
turned the corner of the path and had lost the line of ruined and
blackened houses to his right he found himself in the wildest and most
glittering of little orchards. The grass grew here to a great
height--the apple-trees were of a fine age, and the sun in squares and
circles and stars of light flashed like fire through the thick green.
He stepped forward, blinded by the quivering gold, and walked into the
arms of Marie Ivanovna. He, quite literally, ran against her and put
his arms about her for a moment to steady her, not seeing who she was.
Then he gave a little cry.
She was also frightened. "It was the only time," he told me, "that I
had ever seen her show fear."
They were silent, neither of them knowing the way to speak.
Then she said: "John, don't r-run away. It is very good. I wanted to
speak to you. Here, sit down here."
She herself sat down and patted the grass, inviting him. He at once
sat down beside her, but he could say nothing--nothing at all.
Public-domain text, read in full here on John Shaqi.
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