Historical fiction; War stories; World War, 1914-1918 -- Fiction
Like water behind glass, like music behind a screen, Nikitin's voice
comes back to me--dim but so close, mysterious but so intimate. Ah,
the questions that I would ask him now if only I might have those
morning hours over again!
"You're a solemn man altogether, Durward. Perhaps all Englishmen seem
so to us, and it may be only your tranquillity, so unlike our moods
and nerves by which we kill ourselves dead before we're half way
through life.... I had an English tutor for a year when I was a boy.
He didn't teach me much: 'all right' and 'Tank you' is the only
English I've kept, but I think of him now as the very quietest man in
all the universe. He never seemed to breathe, so still he was. And how
I admired him for that! My father was a very excitable man, his moods
and tempers killed him when he was just over forty.... We have a
proverb, 'In the still marshes there are devils,' and we admire and
fear quiet men because they have something that we have not. And I
like the way that you watch us, Durward. Your friend Trenchard does
not watch us at all and one could be his friend. For you one has quite
another feeling. It is as though I had something to give you that you
really want. Why should I not give it you? My giving it will do me no
harm, it may even yield me pleasure. You will not throw it away. You
are an Englishman and will not for a moment's temper or passion reveal
secrets. And there are no secrets. What I tell you you may tell the
world--but I warn you that it will neither interest them nor will they
believe it.... There is, you see, no climax to my story. I have no
story, indeed; like an old feldscher in my village who hates our
village Pope. 'Why, Georg Georgevitch,' I say, 'do you hate him? He is
a worthy man.' 'Your Honour,' he says, 'there is nothing there; a fat
man, but God has the rest of him--I hate him for his emptiness.' I'm
in a humour to talk. I have, in a way, fulfilled the purpose that my
English tutor created in me. I've grown a sort of quiet skin, you
know, but under that skin the heart pounds away, the veins swell to
bursting. I'm a fool behind it all--just a fool as every Russian is a
fool with more in hand than he knows how to deal with. You don't
understand Russia, do you? No, and I don't and no one does. But we can
all talk about her--and love her too, if you like, although our
sentiment's a bad thing in us, some say. But for us not to talk--for
one of us to be silent--do you know how hard that is?... And through
it all how I despise myself for wishing to tell them! What business is
it of theirs? Then this war. Can you conceive what it is doing to
Russians? If you have loved Russia and dreamed for her and had your
dreams flung again and again to the ground and trampled on--and now,
once more, the bubbles are in the sky, glittering, gleaming ... do we
not have to speak, do you think? Must it not be hard, when before we
have not been able to be silent about women and vodka, to be silent
Public-domain text, read in full here on John Shaqi.
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