David was there to cleanse him of the tastes of his worldly work, restore his self-respect, give him a vantage point against the scheming Tom of the day. His other friends--shallow, quick fellows ready to give what he asked and forward-coming, helpless women like Laura Duffield--were there to balance the reticence of David, ease his diseased hunger, throw him momentarily free of the strange dissatisfaction of his one satisfying friendship. The function of work was to sustain him, flush his energies until such time as he knew how he wanted to play. Marcia was compensation for that in him which could not look to David. David was compensation for that in him which was ashamed of Marcia. His hours with David and Cornelia were sleep in which he lived as he dreamed, won strength to face the waking: his hours of work were respite from the starved clamor of his dreams--a way of winning time from their insistence. So his life stumbled and shook ahead. It held together. But it was textured of half-true, half-meeting elements. Its hazardous solution caused a continual ferment. The sign of ferment was his growing pain in a life stumbling, shaking ahead. He walked down a Square with that lithe pacing stride of his. Half clenched fists swung at his side. There was a fairly constant strain in his eyes that lifted them in their sockets. With teeth tight set, he hummed a tune. Energy was forever thus escaping from him. When he did nothing, he fell at once into a state of preparedness for flight. He wanted to get away: get out. He could not. Life gripped him and he loved it. But much energy was born of this deep impulse to escape. He scattered it about. Much he applied--and applied to perfect the conditions of that very life from which his nerves rebelled. His vitality in talk, his speed of impressions, his plasticity of posture in the world grew from this energy. So that he shook along in a vicious circle. Much of his power to throw life into his work came from the secretions of his dissatisfaction with it: from the energy of his dissatisfaction. But life is full of such mechanical paradox. All of civilized life is such a one. Many a man succeeds in the conscious world because of the failure hidden in his heart. Tom stopped. He was before a crumbling brownstone house: a rusting iron grille, a gate thrown out on useless hinges. A tiny plot of grass flanked the narrow walk. The soil was rocky: sediment of the City--cans, flakes of cloth, splint eyes of glass--choked the slim green. From the low stoop the house flared up, soft in decay. Tom turned his back on the house. He looked North on the Square. In his eyes was a hunger for open places. His glance consumed the narrow breadth of the Park with its dapper walks and its trees. It broke impatient on the row of red-brick houses. It spent itself. Tom’s gaze narrowed. He turned and went up the stairs. They were dirty and dark--four flights. Odor of mildew and misspent lives seeped from brown plaster.