An equally important, if not a more important, advance of kindred
nature, is to be anticipated. The vocal signs of sentient states
will simultaneously evolve further. Loudness of tone, pitch of tone,
quality of tone, and change of tone, are severally marks of feeling;
and, combined in different ways and proportions, serve to express
different amounts and kinds of feelings. As elsewhere pointed out,
cadences are the comments of the emotions on the propositions of the
intellect[J]. Not in excited speech only, but in ordinary speech, we
show by ascending and descending intervals, by degrees of deviation
from the medium tone, as well as by place and strength of emphasis,
the kind of sentiency which accompanies the thought expressed. Now the
manifestation of feeling by cadence, like its manifestation by visible
changes, is at present under restraint; the motives for repression act
in the one case as they act in the other. A double effect is produced.
This audible language of feeling is not used up to the limit of its
existing capacity; and it is to a considerable degree misused, so as
to convey other feelings than those which are felt. The result of this
disuse and misuse is to check that evolution which normal use would
cause. We must infer, then, that as moral adaptation progresses, and
there is decreasing need for concealment of the feelings, their vocal
signs will develop much further. Though it is not to be supposed that
cadences will ever convey emotions as exactly as words convey thoughts,
yet it is quite possible that the emotional language of the future may
rise as much above our present emotional language, as our intellectual
language has already risen above the intellectual language of the
lowest races.
A simultaneous increase in the power of interpreting both visible
and audible signs of feeling must be taken into account. Among those
around we see differences both of ability to perceive such signs and
of ability to conceive the implied mental states, and their causes;
here, a stolidity unimpressed by a slight facial change or altered
tone of voice, or else unable to imagine what is felt; and there,
a quick observation and a penetrating intuition, making instantly
comprehensible the state of mind and its origin. If we suppose both
these faculties exalted--both a more delicate perception of the signs
and a strengthened constructive imagination--we shall get some idea of
the deeper and wider sympathy that will hereafter arise. More vivid
representations of the feelings of others, implying ideal excitements
of feelings approaching to real excitements, must imply a greater
likeness between the feelings of the sympathizer and those of the
sympathized with; coming near to identity.
By simultaneous increase of its subjective and objective factors,
sympathy may thus, as the hinderances diminish, rise above that now
shown by the sympathetic as much as in them it has risen above that
which the callous show.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account