The Daughter of the Storage: And Other Things in Prose and VerseHowells, William Dean
General
The Daughter of the Storage: And Other Things in Prose and Verse
Howells, William Dean
Poetry; Short stories
Of the dead house shadowed us with, and thence
Turning, my heart was pierced with more intense
Suggestion of a mystical dismay,
As in the brilliance of the summer day
We faced the vast gray barn. The house was old,
Though so well kept, as age by years is told
In our young land; but the barn, gray and vast,
Stood new and straight and strong--all battened fast
At every opening; and where once the mow
Had yawned wide-windowed, on the sheathing now
A Cross was nailed, the bigness of a man,
Aslant from left to right, athwart the span,
And painted black as paint could make it. Hushed,
I stood, while manifold conjecture rushed
To this point and to that point, and then burst
In the impotent questionings rejected first.
What did it mean? Ah, that no one could tell.
Who put it there? That was unknown as well.
Was there no legend? My friend knew of none.
No neighborhood story? He had sought for one
In vain. Did he imagine it accident,
With nothing really implied or meant
By the boards set in that way? It might be,
But I could answer that as well as he.
Then (desperately) what did he guess it was:
Something of purpose, or without a cause
Other than chance? He slowly shook his head,
And with his gaze fixed on the symbol said:
"We have quite ceased from guessing or surmising,
For all our several and joint devising
Has left us finally where I must leave you.
But now I think it is your part to do
Yourself some guessing. I hoped you might bring
A fresh mind to the riddle's unraveling.
Come!"
And thus challenged I could not deny
The sort of right he had to have me try;
And yielding, I began--instinctively
Proceeding by exclusion: "We agree
It was not put there as a pious charm
To keep the abandoned property from harm?
The owner could have been no Catholic;
And yet it was no sacrilegious trick
To make folks wonder; and it was not chance
Assuredly that set those boards askance
In that shape, or before or after, so
Painted them to that coloring of woe.
Do you suppose, then, that it could have been
Some secret sorrow or some secret sin,
That tried to utter or to expiate
Itself in that way: some unhappy hate
Turned to remorse, or some life-rending grief
That could not find in years or tears relief?
Who lived here last?"
"Ah," my friend made reply,
"You know as much concerning that as I.
All I could tell is what those gravestones tell,
And they have told it all to you as well.
The names, the dates, the curious epitaphs
At whose quaint phrase one either sighs or laughs,
Just as one's heart or head happens to be
Hollow or not, are there for each to see.
But I believe they have nothing to reveal:
No wrong to publish, no shame to conceal."
"And yet that Cross!" I turned at his reply,
Fixing the silent symbol with my eye,
Insistently. "And you consent," I said,
"To leave the enigma uninterpreted?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account