Now, Hope was a warm-hearted girl, and, as was only natural, had given
many a thought to the lover of the future; but it never occurred to her
that there was any danger in the interest which she felt in Ralph
Merrilies, or in her intense consciousness of his presence. She deluded
herself into the belief that she was less cordially disposed to him than
to any other member of the party, for she had been warned that another
girl considered him her individual property, and was by no means willing
to share his attentions. So it came to pass that she kept quietly in
the background, and had little or nothing to say to Truda's cavalier.
On the third evening of Hope's stay at The Shanty the sportsmen came
home unusually tired, and for once Truda's after-dinner tricks failed to
entertain. The men had no inclination to exert their minds or their
muscles either, and turning to Hope, begged her for "a tune."
"The worst of Miss Charrington," sighed Reggie Blake regretfully, "is
that she is so painfully classical and superior. She never condescends
to play a piece whose composer hasn't seven syllables to his name and a
sneeze in the middle. They are very clever and all that sort of thing,
don't you know, but I always wonder when the tune is going to begin.
Squeak, squeak! in the treble; bang, bang! in the bass; a rolling like
heavy machinery, and all sorts of jerks and breaks when you are least
expecting them: that is what you call a `Gigue.' A bit of a scale
repeated over and over again like the tune the old cow died of: that is
a `Fugue.' I've a musical sister at home, so I know. Now, I don't
pretend to be classical; I like a good, rousing air--something that
makes you want to stamp your feet and beat time with your head. Look at
Miss Charrington laughing at me! I suppose as a matter of fact you
don't _know_ any airs, Miss Charrington?"
"I have a schoolboy brother," answered Hope demurely. She wheeled round
on the music-stool and looked at him with dancing eyes; and when Hope
looked mischievous, it was something very well worth seeing in those
days of young womanhood. "I blush to say," she said slowly--though as a
matter of fact she did not blush at all, but looked particularly beaming
and complacent--"I blush to say that there is not a single tune at
present performed upon the barrel-organs with which I am not intimately
acquainted. I shall be happy to accompany you, and to coach you in the
words, whenever you feel inclined to perform."
"Hurrah! Good business! Will you really!" cried Reggie, jumping to his
feet and hurrying across to the piano, abeam with delight. "Can you
manage `Mrs 'Enry 'Awkins'? That is my stock song, and I sing it
wherever I go.--Mrs Loftus, you are dying to hear me sing `Mrs 'Enry
'Awkins'? I know you are.--Let's tune up at once, Miss Charrington; and
a chorus, mind--a rousing old chorus!"
Public-domain text, read in full here on John Shaqi.
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