Ralph Merrilies looked at her in silent astonishment. He had taken for
granted that, as the niece of the wealthy Mr Loftus, Hope Charrington
occupied the same position in society. Man-like, he had noticed none of
the signs of poverty in her attire which were plain as print to feminine
eyes. What if her attire was always of the simplest description? She
invariably looked better than any other girl in the room. If one
solitary dress did duty every evening, a new arrangement of laces
transformed it in his eyes; and if she wore no jewels, the round white
throat and arms looked all the better for their lack of adornment. It
gave him a shock of surprise to hear her speak of making her own
livelihood.
"Do you really mean that?" he asked gravely; and in reply Hope gave him
a short biographical sketch, which explained the present position of the
family. "So you see I am responsible for a share of our expenses," she
said in conclusion, "and it is not so easy to earn as I expected. I
thought I should have little difficulty in getting songs published, but
I find it is very difficult indeed; and even if I sold one or two in the
year, they would bring in very little, so I must find something that is
more certain. I should make a good accompanist, for I can read at sight
and transpose as I go, and know when to humour a singer and when to pull
him up. But the difficulty is to find an opening. I do hope that I may
not be reduced to giving lessons! That would be a real trial of
patience, and the prospect is so hopelessly limited."
"Oh, you must not give lessons! That would never do," said Ralph,
drawing his brows together in a disapproving frown. That she should
need to work at all was an idea still disagreeably new. "You speak of
becoming an accompanist. What does that mean exactly! Is there an
opening for accompaniment playing, apart from taking a more prominent
place in a programme?"
"Oh yes. Professionals often insist upon having their own accompanists,
for it is so easy for a stranger to spoil their effects. Even among
amateurs they are occasionally required. Suppose a lady gets up a
concert for charity, or gives a musical `At Home,' or has private
theatricals, it is an immense help to have some one who can play for all
the performers alike, improvise a few bars if things go wrong, and fill
up awkward gaps by appropriate `selections.' That is the work which
would suit me best, if I could make a start and become fairly
well-known."
"I see. Yes, as you explain it, there certainly is an opening in that
direction; but forgive me for saying that the position seems too
subordinate for your talent. Why should you not sing yourself? You
would be better paid, and it seems to me that you are very well fitted
to do so."
Hope shook her head with pathetic candour.
Public-domain text, read in full here on John Shaqi.
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