The Daughters of the Little Grey HouseTaggart, Marion Ames
General
The Daughters of the Little Grey House
Taggart, Marion Ames
Families -- Juvenile fiction
Under the splendid trees of the hill place where the little Hasbrooks
and their mother were reigning what Aunt Azraella might have considered
a reign of terror, Prue posed for Bartlemy with the four children
around her whose eager hands she was filling with daisies. The picture
was to be called: "My Lady June," and on it Bartlemy built high hopes
of early fame. It was progressing slowly; neither bribes, threats nor
prayers could keep Ted and Bobby Hasbrook still long at a time; Doris
was an ideal model, but lively little Betty was as reliable as a
butterfly, and Bartlemy had to take what he called "snap-shot strokes"
on her restless little figure.
The picture bade fair to be something well worth doing if Bartlemy
proved equal to his own conception. Prue, lovely beyond words in her
floating white draperies, swaying downward to the children as she
enriched them with the dower of June, was like the incarnation of the
summer-time, so exquisite that the young artist had to fight to keep
his hand steadily at his work, and his mind from wandering from Prue as
a model to the Prue whom he daily feared more and more beyond his reach.
Basil newly married and engrossed in his happiness, Bruce working hard
under Dr. Fairbairn's strict requirements left Commodore Rutherford
very much to the society of his youngest son, between whom and the big
sailor there sprang up a beautiful intimacy of friendship, founded
on their differences. Bartlemy was sufficiently an artist to talk
of himself quite simply, and he and his father had discussed the
probability of Prue, at some future day, making him happy as Wythie had
made Basil.
"You are only a boy, my great son, but I think you know perfectly well
what you will want when you are ready to take it, and though you are
so young I should be delighted if beautiful Prudence cared enough for
you to wait for you. It would not necessarily be long; you have as much
to start upon as Basil has," said this comrade-father, wise in reading
the set of tides and winds. "But, my son, though Prue is fond of you in
her frank sisterly manner of established custom, it is Arthur Stanhope
whom she will marry, and not my boy, who must find his consolation in
the galleries of Europe as many another disappointed artist has found
it before him."
"Not without a try at a better fate, father," said Bartlemy with a
certain compression of the lip that meant determination.
Prue, bending forward that day, under the glorious trees, amid the
waving grass, and holding out the daisies to wriggling Bob and Ted,
felt the determination and preoccupation of the painter's mind, and
dreaded a scene that would be painful to them both. So she chatted on
in a ceaseless flood of varying topics, wondering if this really could
be only Bartlemy with whom she felt so ill at ease.
Public-domain text, read in full here on John Shaqi.
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