The Dawn of History: An Introduction to Pre-Historic StudyKeary, C. F. (Charles Francis)
History
The Dawn of History: An Introduction to Pre-Historic Study
Keary, C. F. (Charles Francis)
Archaeology; History, Ancient; Mythology
The chief objects of nature-worship must obviously be the same, or
nearly the same, in every part of the world, so that even among
different races, living far apart, and having no connection with each
other, a certain similarity in the stories told about gods and heroes,
and in the names and titles given to them, is observable. The sun, the
moon, the heavens and stars, the sea, the river, sunshine and darkness,
night and day, summer and winter,--these objects and changes must always
make the staple, the back-bone so to speak, round which all mythological
stories founded on nature-worship are grouped. But climate and scenery,
especially any striking peculiarity in the natural features of a
country, have a strong influence in modifying the impressions made by
these objects on the imaginations of the dwellers in the land, and so
giving a special form or colour to the national creed, bringing perhaps
some Divine attribute or some more haunting impression of the condition
of the soul after death, into a prominence unknown elsewhere. The
religion of the ancient Egyptians was distinguished from that of other
nations by several such characteristics, and in endeavouring to
understand them we must first recall what there is distinctive in the
climate and scenery of Egypt to our minds.
[Sidenote: Influence of nature in Egyptian religion.]
The land of Egypt is, let us remember, a wedge-shaped valley, broad at
its northern extremity and gradually narrowing between two ranges of
cliffs till it becomes through a great part of its length a mere strip
of cultivatable land closely shut in on each side. Its sky overhead is
always blue, and from morning till evening intensely bright, flecked
only occasionally, and here and there, by thin gauzy clouds, so that the
sun’s course, from the first upshooting of his keen arrowy rays over the
low eastern hills to his last solemn sinking in a pomp of glorious
colour behind the white cliffs in the west, can be traced unimpeded day
after day through the entire course of the year. Beyond the cliffs which
receive the sun’s first and last greeting stretches a boundless
waste--the silent, dead, sunlit desert, which no one had ever traversed,
which led no one knew where, from whose dread, devouring space the sun
escaped triumphant each morning, and back into which it returned when
the valley was left to darkness and night.
Public-domain text, read in full here on John Shaqi.
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