The Dawn of History: An Introduction to Pre-Historic StudyKeary, C. F. (Charles Francis)
History
The Dawn of History: An Introduction to Pre-Historic Study
Keary, C. F. (Charles Francis)
Archaeology; History, Ancient; Mythology
Among all the Aryan peoples the Greeks seem to have turned their
thoughts farthest away from the contemplation of the grave; and though
the voice of wonder and imagination could not quite be silent upon so
important a question, Hades and the kingdom of Hades filled a
disproportionately small space in their creed. They shrank from images
of Death, and adorned their tombs or cinerary urns with wreaths of
flowers and figures of the dancing Hours: it is doubtful if the god
Thanatos (Death) has ever been pictured by Greek art.[96] And from what
they have left on record concerning Hades and the realms of death, it is
evident that they regarded it _chiefly_ from its merely negative side,
in that aspect which corresponds most exactly to the notion of a dark
subterraneous kingdom, and not to that of a journey to some other
distant land. The etymology of their mythical King of Souls corresponds,
too, with the same notions. Hades means nothing else than A-eidês, the
unseen. And when it was said that the dead had gone to Hades, all that
was literally meant was that it had gone to the unseen place. But later
on, the place became personified into the grim deity whom we know in
Greek mythology, the brother of Zeus and Poseidon, he to whose share
fell, in the partition of the world, the land of perpetual night. The
underworld pictured by Homer is just of that voiceless, sightless
character which accords with the name of Hades. Even the great heroes
lose almost their identity, and all the joy and interest they had in
life. To ‘wander mid shadows a shadow, and wail by impassable streams,’
is henceforward their occupation.
Not that the Greek had _no_ idea of another world of the more heavenly
sort; ideas obtained as a joint inheritance with their brother nations;
only their thoughts and their poetry do not often centre round such
pictures. Their Elysian fields are a western sun’s home, just after the
pattern of the Egyptian; and so are their Islands of the Blest, where,
according to one tradition, the just Rhadamanthus had been transported
when he fled from the power of his brother Minôs.[97] Only, observe,
there is this difference between these Paradises and the Egyptian house
of Osiris--the latter was reached across the sandy desert, the former
are separated by the ocean from the abode of men. These are the
_Heavens_ of the Greek mythology; while the realm of Hades--or later on
the realm Hades--might by contrast be called their Hell. Let us look a
little nearer at this heaven-picture.
[Sidenote: The River of Death.]
Public-domain text, read in full here on John Shaqi.
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