P. 230. _Persephonê and Balder._--The true _tragedy_ of the death of summer is in the Norse religion portrayed in the myth of Balder, the sun-god, which in respect of its force and intention fully answers to the Persephonê myth. It has often been a subject of surprise that Balder’s-bale, Balder’s death, was not celebrated at a time of year appropriate to mourning for the loss of the sun-god, but at the summer solstice, when Balder attains his fullest might and brightest splendour. Why choose such a day as that to think of his mournful bedimming in the wintry months? It seems to show a strange, gloomy, and forecasting nature on the part of our Norse ancestors to be always reflecting that in the midst of life--in the midst of our brightest, fullest life--we are in death. I imagine that the custom of celebrating Balder’s-bale in this way arose not entirely from the desire to preach this melancholy sermon; though in part no doubt this desire was the cause of it. It arose also from a dramatic instinct inducing men for the sake of a strong contrast to surround the sun-god with all the images of summer at the time when they were thinking of his death. It gives a dramatic intensity to the moment; and thus it corresponds exactly with the picture of Persephonê playing in the meadows in spring-time surrounded by all the attributes of spring, just as Hades rises from the earth to bear her for ever from the light of day. P. 241. _Thanatos._--Thanatos and Hypnos belong to the region of allegory rather than pure mythology. For in pure mythology the place of the first is taken by Hades. In Vedic mythology their part is played by the two Sâramayas; one probably chiefly a divinity of Death, the other of Sleep, and the two being brothers, as of course Death and Sleep are. It has been suggested that among a group of figures sculptured upon the drum of a column brought from the Artemesium (Temple of Diana) at Ephesus, one is a representation of Thanatos, Death. The figure is that of a boy, as young and comely as Love, but of a somewhat passive expression, and with a sword girt upon his thigh, which Eros never wears. His right hand is raised as though he were beckoning: and with him stand Dêmêtêr and Hermes, both divinities connected with the rites of the dead. Save in this instance--if it be an instance--Thanatos is unknown to early Greek art. Hypnos when he appears wears a fair womanish face with closed eyes, scarcely distinguishable from the artistic representation of the Gorgon. As the moon, this last is in some sense a being of sleep and death.