The Dawn of the XIXth Century in England: A social sketch of the timesAshton, John
History
The Dawn of the XIXth Century in England: A social sketch of the times
Ashton, John
England -- Social life and customs -- 19th century
BETTY’S success raised up, of necessity, some imitators—there were
other Roscii, who soon disappeared; and, as ladies deny the sterner
sex the sole enjoyment of all the good things of this world, a Roscia
sprang into existence—a Miss Mudie, who entered on her theatrical
career, even earlier than Master Betty. _Morning Post_, July 29, 1805:
“The Young Roscia of the Dublin Stage (only seven years old), who is
called the _Phenomenon_, closed her engagement there on Monday last, in
the part of _Peggy_, in the _Country Girl_, which she is stated to have
pourtrayed with ‘wonderful archness, vivacity, and discrimination.’”
Children, such as this, however precocious, are, of course simply
ridiculous, and we are not astonished to find fun being made of them.
Says the _Morning Post_, October 21, 1805: “A young Lady was the other
day presented by her nurse and mamma to one of our managers for an
engagement. She came recommended by the testimony of an _amateur_, that
she was a capital representative of the _Widow Belmour_. The manager,
after looking at her from head to foot, exclaimed, ‘But how old is
Miss?’ ‘Seven years old, sir, next Lammas,’ answered the nurse, ‘bless
her pretty face.’ ‘Oh! Mrs. Nurse,’ replies the manager, gravely,
‘_too old, too old_; nothing above _five years_ will now do for _Widow
Belmour_.’”
Old playgoers had not quite lost all their wits, although they had
been somewhat crazy on the subject of young Roscius; but he was then
fourteen, whilst this baby was only seven. However, the _Phenomenon_
appeared, and duly collapsed, the story of which I should spoil did
I not give it in the original. Here it is, as a warning to ambitious
_débutantes_—_Morning Post_, November 25, 1805:
“COVENT GARDEN. The play of the _Country Girl_ was announced at this
house, on Saturday evening, for the purpose of introducing to a London
audience, a very young lady, a Miss MUDIE, in the character of Miss
_Peggy_. Miss Mudie has played, as it has been reported, but we doubt
the truth of the report, with great success at Dublin, Liverpool,
Birmingham, &c., where she has been applauded and followed nearly as
much as Master BETTY. The people of London seem to have been aware
that these reports were unfounded, for no great degree of curiosity
prevailed to see her on Saturday.
“The audience received this child very favourably on her entrance.
She is said to be ten years of age, but in size she does not look
to be more than five. She is extremely diminutive, and has not the
plump, comely countenance of an infant: her nose is very short; her
eyes not well placed; she either wants several teeth, or is, perhaps,
shedding them; and she speaks very inarticulately. It was difficult to
understand what she said. When she attempts expression of countenance,
her features contract about the nose, and eyes, in a way that gives
reason to suppose she is older than her person denotes. She seems to
have a young body with an old head.
Public-domain text, read in full here on John Shaqi.
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