The Day After Death; Or, Our Future Life According to Science (New Edition)Figuier, Louis
Religion
The Day After Death; Or, Our Future Life According to Science (New Edition)
Figuier, Louis
Cosmology; Future life; Transmigration
That these natural aptitudes are carried to a very high degree and
unusual extent, we have celebrated examples recorded in history, and
frequently cited. We have Pascal, at twelve years old, discovering
the greater portion of plane geometry, and without having been taught
anything whatever of arithmetic, drawing all the figures of the first
book of Euclid's geometry on the floor of his room, exactly estimating
the mathematical relations of all these figures to each other; that
is to say, constructing descriptive geometry for himself. We have the
shepherd, Mangiamelo, calculating as an arithmetical machine, at five
years old. We have Mozart executing a sonata with his four-years-old
fingers, and composing an opera at eight. We have Theresa Milanollo
playing the violin with such art and skill, at four years old, that
Baillot said she must have played the violin before she was born. We
have Rembrandt drawing like a master of the art, before he could read.
Etc., etc.
Every one remembers these examples, but it must be borne in mind that
they do not constitute exceptions. They only represent a general
fact, which in these particular cases was so prominent as to attract
public attention. They are valuable as exponents to the public of a
fundamental law of nature, the diversity of natural faculties and
aptitudes, and the predominance of particular faculties among certain
children. Children endowed with these extraordinary and precocious
vocations are called _little prodigies_. This qualification is
sometimes used in a depreciatory sense, for the little prodigies are
accused of failing to carry out the promises of their childhood; it is
observed that the brilliant abilities of their early years have not
been guarantees of extraordinary success in their careers as grown men.
A child, whose drawings were wonderful at four years old, has become a
wretched dauber, as an established artist. A musician, who enchanted
his audience at eight years old, has grown up a very mediocre performer.
This remark is just, and the fact is explicable thus: If the little
prodigies have not become great men, it is because they have not
cultivated their faculties; because they have allowed sloth and disuse
to extinguish their talents. It does not suffice to possess natural
abilities for a science, or an art, work and study must strengthen
and develop them. Little prodigies are outstripped in their career by
hard workers, as is natural. They have come upon earth with remarkable
faculties which they had acquired during a previous life, but they have
done nothing to develop those faculties, which have remained as they
were at the moment of terrestrial birth. The man of genius is the man
who unceasingly cultivates and perfects such great natural aptitudes
and faculties as he has been endowed with at his birth.
Public-domain text, read in full here on John Shaqi.
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