HE used to play to me in the magic hour before bedtime, when, in the
summer, the red sun threw long shadows across the lawn, and in winter the
fire burned brighter and brighter in the hearth. This was the hour when
all the interminable squabbles of the schoolroom were forgotten, and even
the noisiest of us would hush his voice to listen drowsily to a
fairy-tale, or to watch the palaces raise aloft their minarets, and
crumble to dull red ash in the heart of the fire. It was then that I
would see him sitting astride of the fireguard and puffing out his cheeks
over his shining flute. Even in the most thrilling moments of fairy
stories, when Cinderella lost her crystal slipper or Sister Ann saw the
cloud of dust from the summit of Bluebeard’s tower, his shrill melodies
would ring in my ears and quicken my sleepy senses with the desire to
hear more of this enchanted music. I knew that it was real magic, but I
did not find it strange, because as far as I knew I had heard it all my
life. Perhaps he had played to me when I yet lay in my cradle, and
watched the night-light winking on the nursery ceiling; but I did not try
to remember whether this was so. I was content to accept my strange
musician as a fact of my existence, and to feel a sense of loss on the
rare evenings when he failed me. I did not know how to dance, but
sometimes I would tap my feet on the floor in time to the music, till
some one would tell me not to fidget. For no one else would either see
him or hear him, which proved that it was real magic, and flattered my
sense of possession. It was evident that he came for me alone.
Public-domain text, read in full here on John Shaqi.
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