Nevertheless, though like all boys I had been forced to discard my
childish dreams before I had really finished with them, the lovely
melodies of the flute-player served to enrich my latter years at school
with much of the old enchantment. Often enough he would play to me at
night during preparation, and I would spend my time in trying to set
words to his tunes instead of doing my lessons. It was then that I
regretted the lost years that had dulled my ear and prevented me from
winning the inmost magic of his song, compared with which my verses
seemed but the shadow of a shadow. Yet I saw that he was content with my
efforts, and gradually made the discovery that while great achievement is
granted to the fortunate, it is the fine effort that justifies a man to
himself. What did it matter whether my songs were good or bad? They
were the highest expression I could find for the rapture of beauty that
had filled my heart as a child when I had been gifted to see life with
clean and truthful eyes. For the songs the flute-player played to me
were the great dreams of my childhood, the dreams that a wise man
prolongs to the day of his death.
I do not hear him often now, for I have learnt my lesson, and though my
hands tremble and my ear deceives me, I am by way of being a flute-player
myself. This article, it is clear, is a child’s dream, and so have been,
and will be, I hope, all the articles I shall ever write. What else
should we write about? We have learnt a few long words since we grew up,
and a few crimes, but no new virtues. That is why I like to get back to
the nursery floor, and play with the old toys and think the old thoughts.
We knew intuitively then a number of beautiful truths that circumstance
appears to deny now, and we grown men are the poorer in consequence. It
is folly to find life ugly when the flute lies within our reach and we
can pipe ourselves back to the world of beauty with a song made of an old
dream.
Public-domain text, read in full here on John Shaqi.
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