With her hand upon her heaving breast, as if to allay an acute pain that
centred there, her white lips moved, but no sound escaped them. She
listened. The servants had gone.
Carmenilla was downstairs chatting with Tristram; the house at last
seemed silent and deserted, therefore Gemma, losing no time in further
indecision, and holding her silken skirts tight around her so that they
should not rustle, crept out on tiptoe, holding in her hand the key
which Montelupo had given her. At first she proceeded slowly and
noiselessly, but, fearing detection, hurried forward as she approached
the door of the Ambassador's room.
At last she gained it, breathless. With scarce a sound she placed the
key in the lock, and a moment later was inside, closing the door after
her.
Unhesitatingly she went straight to the table, and placed her hand upon
the drawer containing the document. It was locked. Next instant her
heart beat wildly as her quick eye espied the key still remaining in
another drawer, and, taking it, she opened the locked drawer and stood
examining the great blue official envelope in her hand.
Yes, the blue pencil mark was upon it in the form of a cross, as the
Marquis had described. She had gained what she sought. Triumph was
hers.
Quickly she turned to make her exit, but next second fell back with a
loud wild cry of alarm.
Count Castellani had entered noiselessly, and was standing erect and
motionless between her and the door.
CHAPTER TWENTY FIVE.
A WOMAN'S DIPLOMACY.
Gemma stood immovable; a deathly pallor overspread her cheeks, her eyes
fixed themselves in terror upon this tall, well-dressed man, who was her
bitterest enemy. With one trembling hand she had clutched the revolving
book-stand for support; the other held the envelope containing the
secret document. She dared not to breathe; amazement and alarm held her
dumb.
"And by what right, pray, do you enter my room?" the Ambassador
inquired, after a few seconds of silence, complete and painful. His
face was blanched in anger; in his dark eye was a keen glance of
suspicion and hatred.
She laughed--that strange hollow laugh which her lover knew so well.
"I came to call on you," she answered. The door was closed, and they
were alone together.
"And you entered my room to pry into my private papers?" he said, his
blood rising. "What's that you have in your hand?"
She set her lips firmly. She was no longer the sweet, almost childlike
girl, but a hard-faced, desperate woman.
"A paper I want," she boldly answered, at the same moment doubling the
envelope in half, and crushing it in her palm.
"Then you have at last become so bold that you actually have the
audacity to enter one's house and steal whatever you think proper?" he
cried, in a towering passion. "Fortunately, I've returned in time to
frustrate your latest bit of infernal ingenuity."
Public-domain text, read in full here on John Shaqi.
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