He was reflecting deeply, wondering what he should do with the lady,
when suddenly he was startled by the door-bell ringing. With military
promptness he answered it, and found his master's new acquaintance,
Arnoldo Romanelli. The latter had spent several evenings at Tristram's
chambers since the night they had dined together at Bonciani's,
therefore Smayle knew him well.
"The Captain's not at home, sir," he answered, in reply to the visitor's
inquiry.
"Is he away?"
"He left this evening suddenly."
"On important business, I suppose?"
"Yes, sir," Smayle answered. Then he added, "Excuse me, sir, but you
are Italian, aren't you?"
"Yes; why?" Arnoldo asked in surprise.
Smayle hesitated, fidgeted a moment, and then answered--
"Well, sir, there's a lady there, in the Captain's sitting-room, and
she's not well, and she can't speak English."
"A lady?" cried Romanelli, suddenly interested. "Young or old?"
"Young, sir. She's Italian, I believe. And I thought, sir, that
perhaps you wouldn't mind assisting a friend of my master's."
"Of course not. Take me to her at once," he said. "Is she very ill?"
"She had a bad fainting fit," answered the servant as he led the way to
the sitting-room. She was still lying back in the chair, now quite
conscious, but still pale, dishevelled, and so exhausted as to be
scarcely able to move her limbs. They seemed paralysed by the
excruciating torture she had undergone.
The opening of the door aroused her, and looking up, her eyes met those
of the young Italian.
"You--Gemma!" he cried in profound surprise, rushing forward. "Why are
you here--in London? And in Tristram's rooms?"
She held her breath in amazement at this unexpected meeting.
"I--I called here," she explained in a low, weak voice, "and became
seized with a sudden faintness. I--I think I fell."
"I trust you're not hurt," he said quickly. "You are pale and
trembling. Shall I call a doctor?"
"No, no," she answered. "In a few minutes I shall be quite right
again."
Romanelli noticed her necklet at his feet, and picked it up. Then he
glanced across the room and saw the broken statuette, and his quick,
dark eyes detected signs of a struggle in the disarranged hearth-rug and
the chairs pushed out of place.
"Merely fainting did not break this," he said gravely, holding up the
chain and picking up the tiny medallion enamelled with the picture of a
dog's head with the words beneath, "Toujours Fidele." The chain and its
pendant were simple and old-fashioned, the one remaining link of her
girlhood days at the Convent of San Paolo della Croce.
She held out her hand in silence, and the young man placed both chain
and medallion in her palm. Then, with her great, pain-darkened eyes
fixed upon him, she kissed the chain reverently, afterwards slipping
both into her glove, and sighing.
"Gemma," continued Romanelli, bending beside her chair, "what does this
mean? Tell me. Why have you come to London?"
She shook her head.
Public-domain text, read in full here on John Shaqi.
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