Manners and customs -- Fiction; Short stories, English
His own was returning day by day, for he wore his loin-cloth
continuously; but the crew, having worked under orders, did not
feel as he did. The completed work satisfied Mr. Wardrop. He
would at the last have made shift to run to Singapore, and gone
home without vengeance taken to show his engines to his brethren
in the craft; but the others and the captain forbade him. They
had not yet recovered their self-respect.
"It would be safer to make what ye might call a trial trip, but
beggars mustn't be choosers; an if the engines will go over to
the hand-gear, the probability - I'm only saying it's a
probability the chance is that they'll hold up when we put steam
on her."
"How long will you take to get steam?" said the skipper.
God knows! Four hours - a day - half a week. If I can raise
sixty pound I'll not complain."
"Be sure of her first; we can't afford to go out half a mile, and
break down."
"My soul and body, man, we're one continuous breakdown, fore an'
aft! We might fetch Singapore, though."
"We'll break down at Pygang-Watai, where we can do good," was the
answer, in a voice that did not allow argument. "She's my boat,
and - I've had eight months to think in."
No man saw the Haliotis depart, though many heard her. She left
at two in the morning, having cut her moorings, and it was none
of her crew's pleasure that the engines should strike up a
thundering half-seas-over chanty that echoed among the hills.
Mr. Wardrop wiped away a tear as he listened to the new song.
"She's gibberin' - she's just gibberin'," he whimpered. "Yon's
the voice of a maniac.
And if engines have any soul, as their masters believe, he was
quite right. There were outcries and clamours, sobs and bursts
of chattering laughter, silences where the trained ear yearned
for the clear note, and torturing reduplications where there
should have been one deep voice. Down the screw-shaft ran
murmurs and warnings, while a heart-diseased flutter without
told that the propeller needed re-keying.
"How does she make it?" said the skipper.
"She moves, but - but she's breakin' my heart. The sooner we're
at Pygang-Watai, the better. She's mad, and we're waking the
town."
"Is she at all near safe?"
"What do I care how safe she is? She's mad. Hear that, now! To
be sure, nothing's hittin' anything, and the bearin's are fairly
cool, but - can ye not hear?"
"If she goes," said the skipper, "I don't care a curse. And she's
my boat, too."
Public-domain text, read in full here on John Shaqi.
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