“Lor, yes, Miss Newton,” answered one of the girls briskly: “we’re
all of us too busy to worry about ghosts; but I love a ghost tale for
all that.”
A chorus of voices echoed this assertion.
“Then, ladies, I shall have the honour of reading the ‘Haunters and
the Haunted,’ by Bulwer Lytton.”
The very title of the story thrilled them, and the whole party, just
now so noisy with eager talk and frequent laughter, sat breathless,
looking at the reader with awe-stricken eyes as that wonderful story
slowly unwound itself.
Theodore read well, in that subdued and semi-dramatic style which is
best adapted to chamber-reading. He felt what he read, and the horror
of the imaginary scene was vividly before his eyes as he got deeper
into the story.
The reading lasted nearly two hours, but it was not one moment too
long for Theodore’s audience, and there was a sigh of regret when the
last words of the story had been spoken.
“Well,” exclaimed one young lady, “I do call that a first-class tale,
don’t you, Miss Newton?”
“You may go a long way without getting such a ghost tale as that,”
said another; “and don’t the gentleman read beautifully, and don’t he
make one feel as if it was all going on in this very room? And the
dog too! There, I never see such a thing! A poor dog to drop down
dead, like that.”
“I did hope that there dog would come to life again at the end,” said
one damsel.
By way of diversion after the story, Miss Newton opened her piano,
beckoned three of the girls over to her, and played the symphony
of “Blow, Gentle Gales,” which old-fashioned glee the three girls
sang with taste and discretion, the bass part being altered to suit
a female voice. Then came some songs, all of which Miss Newton
accompanied; and then at her request Theodore read again, this time
selecting Holmes’ “Wonderful One-Horse Shay,” which caused much
laughter; after which, the little clock on the chimney-piece having
struck eleven, he wished his hostess good night, selected his coat
and hat from among the heap of jackets and hats on a table on the
landing, and went downstairs.
He was still in Wedgewood Street when he heard light footsteps
coming quickly behind him. It seemed to him that they were trying to
overtake him, so he turned and met the owner of the feet.
“I beg your pardon, sir; forgive me for following you,” said a very
gentle voice, which he recognized as belonging to the girl called
Marian—“I wanted so much to speak to you—alone.”
“And I am glad of the opportunity of speaking to you,” he answered.
“I felt particularly interested in you this evening—there are some
faces, you know, which interest us in spite of ourselves almost, and
I felt that I should like to know more of you.”
This was so gravely said that there was no possibility of an
offensive construction being given to the words.
“You are very good, sir. It was your name that struck me,” she
answered, falteringly; “it is a Dorsetshire name, I think.”
Public-domain text, read in full here on John Shaqi.
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