“Upon a tone,
A touch of hers, his blood would ebb and flow,
And his cheek change tempestuously ...
But she in these fond feelings had no share;
Her sighs were not for him; to her he was
Even as a brother—but no more.”
After that conversation with the house-agent, the idea that he had
found the clue to the Cheriton Chase mystery took root in Theodore
Dalbrook’s mind. Taking as his starting-point the notion of a deadly
hatred wreaking itself in an indirect revenge, there seemed no more
likely figure for the _rôle_ of avenger than that of the wronged and
deserted husband. The one startling improbability in this view of the
case was the long interval between the husband’s appearance at Myrtle
Cottage and the date of the murder; but even this difficulty Theodore
was able to account for upon the hypothesis of a gradual perversion,
a descent from vice to crime, as the man’s nature hardened under the
corrupting influence of a profligate life, while the old festering
sore grew into a malignant canker, under the lash of misery. He
had seen in that great seething cauldron of London life men whose
countenances bore the stamp of a degradation so profound that the
most ferocious crime might seem the normal outcome of their perverted
natures. He could imagine how the broken-down gentleman, steeped
in drink, and embittered by the idea of wrongs which had been the
natural consequence of his own misconduct, had sunk step by step upon
the ladder of vice, till he had arrived at that lowest deep where the
dreams of men are stained with blood and darkened by the shadow of
the hangman. He could imagine such a man brooding over his wrongs for
long years, nursing his jealous wrath as the one touch of manliness
that survived in him—until some newspaper description of the Dalbrook
and Carmichael wedding reminded him of the bitter contrast between
his own lot and that of his rival, and, lashed into sudden fury, he
set out upon his murderous errand, hardly caring whom he murdered so
long as he could hurt the man he hated.
The very fact that Mrs. Danvers’ husband had been described as a
craven, made the idea of his guilt more likely. Only a coward would
have chosen such a revenge; only a coward could have stretched out
his hand from the darkness to kill a man who had never injured
him. The crime was the crime of a coward or a madman; and this man,
brutalized by drink, may have been both madman and coward.
Here at least was a man closely associated with James Dalbrook’s
life, and having good cause to hate him. In the darkness surrounding
the murder of Godfrey Carmichael this was the first flash of light.
Public-domain text, read in full here on John Shaqi.
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