This room testified that its mistress was a lady. The furniture
was heterogeneous—shabby for the most part, from an upholsterer’s
point of view, old-fashioned without being antique; but there was
nevertheless a _cachet_ upon every object which told that it had
been chosen by a person of taste, from the tall Chippendale bureau
which filled one corner of the room, to the solid carved oak table
which held the tea-tray. The ornaments were few, but they were old
china, and china of some mark from the collector’s point of view;
the draperies were of Madras muslin, spotless, and fresh as a spring
morning. Theodore noticed, however, that there were no flowers in the
vases, and none of those scattered trifles which usually mark the
presence of refined womanhood. The room would have had a bare and
chilly aspect, lacking these things, if it had not been for a few
pictures, and for the bookshelves, which were filled with handsomely
bound books.
“You have a nice library, Mrs. Porter,” he said, somewhat aimlessly,
as he took a cup of tea from her hands. “I suppose you are a great
reader?”
“Yes, I read a great deal. I have my books and my garden. Those make
up my sum of life.”
“May I look at your books?”
“If you like,” she answered coldly.
He went about the small, low room—so low, with its heavily-timbered
ceiling, that Cuthbert Ramsay’s head almost touched the
crossbeams—and surveyed the collections of books in their different
blocks. Whoever had so arranged them had exercised both taste and
dexterity. Everything in the room fitted like a Chinese puzzle, and
everything seemed to have been adapted to those few pieces of old
furniture—the walnut-wood bureau, the oak table, and the old Italian
chairs. The books were theological or metaphysical for the most
part, but among them he found Carlyle’s “Sartor Resartus,” “Past and
Present,” and “French Revolution;” Bulwer’s mystical stories, and a
few books upon magic, ancient and modern.
“I see you have a fancy for the black art, Mrs. Porter,” he said
lightly. “One would hardly expect to find such books as these in the
Isle of Purbeck.”
“I like to know what men and women have built their hopes upon in the
ages that are gone,” she answered. “Those dreams may seem foolishness
to us now, but they were very real to the dreamers, and there were
some who dreamed on till the final slumber—the one dreamless sleep.”
This was the longest speech she had made since the young men entered
her garden, and both were struck by this sudden gleam of animation.
Even the large grey eyes brightened for a few moments, but only
to fade again to that same dull, unflinching gaze which made them
more difficult to meet than any other eyes Theodore Dalbrook had
ever looked upon. That unflinching stare froze his blood; he felt a
restraint and an embarrassment which no other woman had ever caused
him.
Public-domain text, read in full here on John Shaqi.
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