Scotland -- Social life and customs -- Fiction; Short stories
When Drumsheugh came round the corner of the farmhouse, looking old and
sad, Marget was waiting, and was amazed at the swift change upon him.
“Ye didna expect me,” she said, coming to meet him with the rare smile
that lingered round the sweet curves of her lips, “an' maybe it 's a
leeberty a'm takin'; but ye ken kindness breaks a' barriers, an' for the
sake o' Geordie a' cudna pass yir hoose this nicht withoot tellin' that
ye were in ma hert.”
Drumsheugh had not one word to say, but he took her hand in both of his
for an instant, and then, instead of going in by the kitchen, as all
visitors were brought, save only the minister and Lord Kilspindie, he
led Marget round to the front door with much ceremony. It was only in
the lobby he found his tongue, and still he hesitated, as one overcome
by some great occasion.
“Ye sud be in the parlour, Marget Hoo, but there 's no been a fire there
for mony a year; wull ye come intae ma ain bit room?... A' wud like tae
see ye there,” and Marget saw that he was trembling, as he placed her in
a chair before the fire.
“Ye were aince in this room,” he said, and now he was looking at her
wistfully; “div ye mind? it's lang syne.”
“It wes when a' cam' tae pay oor rent afore we flitted, and ye hed tae
seek for change, an' a' thocht ye were angry at oor leavin'.”
“No angry, na, na, a' wesna angry... it took me half an oor tae find
some siller, an' a' the time ye were sittin' in that verra chair... that
wes the Martinmas ma mither deed... ye 'ill no leave withoot yir tea.”
After he had gone to tell Leezbeth of his guest, Marget looked round
the room, with its worn furniture, its bareness and its comfortlessness.
This was all he had to come to on a Friday night when he returned
from market; out and in here he would go till he died. One touch of
tenderness there was in the room, a portrait of his mother above the
mantelpiece, and Marget rose to look at it, for she had known her, a
woman of deep and silent affection. A letter was lying open below the
picture, and this title, printed in clear type at the head, caught
Marget's eye:
“Macfarlane and Robertson, Writers,
Kilspindie Buildings, Muirtown.”
Marget's heart suddenly stood still, for it was the firm that sent the
seasonable remittances from Whinnie's cousin. This cousin had always
been a mystery to her, for Whinnie could tell little about him, and the
writers refused all information whatever, allowing them to suppose that
he was in America, and chose to give his aid without communication. It
had occurred to her that very likely he was afraid of them hanging on a
rich relation, and there were times when she was indignant and could not
feel grateful for this generosity.
Other times she had longed to send a letter in her name and Whinnie's,
telling him how his gifts had lightened their life and kept them in
peace and honesty at Whinnie Knowe; but the lawyers had discouraged the
idea, and she had feared to press it.
Public-domain text, read in full here on John Shaqi.
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