The Days of Chivalry; Or, The Legend of CroquemitaineQuatrelles
History
The Days of Chivalry; Or, The Legend of Croquemitaine
Quatrelles
Charlemagne, Emperor, 742-814 -- Fiction; France -- History -- Humor
As the troops took up their positions, the scenery underwent a
complete change, unobserved of Roland, who was absorbed in watching the
procession. When he cast a look around him, he beheld himself surrounded
by mountains whose summits were beyond his ken. These gigantic heights,
which were composed of gneiss, mica, agate, onyx, trap, and porphyry
were clothed halfway up by forests whose flora comprised the growths of
all climes. The vast baobab spread its branches in close contiguity to
an island of palms, which displayed their delicate foliage against the
blue sky. The silvery mohonono contrasted well with the dark motsouri;
the moupanda-panda of Central Africa, the jacquier of Malacca, the oak
of Europe, mingled their boughs. Rivers, whose source was hidden in the
clouds, bounded from rock to rock, flinging up at every obstacle crests
of feathery spray, spanned by rainbows.
[Illustration: 155]
The troops occupied positions on the heights. Roland beheld clouds of
warriors proudly occupying apparently inaccessible peaks. The elephants
were drawn up in two lines, four thousand in each, and the thirty white
elephants of the Prophet’s favourites were grouped in front of them. And
now angels appeared, who, spreading their wide wings, offered their aid
to enable the six hundred chosen beauties to dismount. They alighted
close to the Count of Mans, before whom they bowed low, and then took
their places on a carpet spread for them on his right. The camels came
next, and knelt down gently, whereupon the houris sprang from their
palanquins with a lightness and grace which astonished Roland more than
all. Their feet hardly left an imprint in the sand. Like the favourites
of the harem, they also approached Roland, and, kissing the ground
before him, ranged themselves on his left. Then like a flood advanced
the troop of celestial dancers, tripping along to the sound of
castanets, flutes, theorbos, timbrels, guitars, and mandolins, amid loud
singing, accompanied by the most lively strains of music.
The animation of their movements increased or diminished according to
the rhythm, which they marked by accurate beats of the foot and clapping
of hands, in slow or quick time. Their eyes were now filled with soft
languor--now darted glances of fire. Balancing themselves from the hips,
they swung their bodies and waved their arms with ease and grace. At
times a comb, unable to imprison such a wealth of tresses, fell out, and
freed locks that were as dark as the night.
But now the Prophet gave the signal: the dances ceased, and the houris
flew, like a flock of frightened birds, to take their position opposite
Roland, and under shelter of the elephants.
Mahomet, in his turn, drew nearer to the nephew of Charlemagne,
who immediately dismounted--an act of courtesy to age he invariably
observed.
Public-domain text, read in full here on John Shaqi.
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