"You are right," said the old man. "The director of the Opera in town
comes here twice a week. When her papa (_il babbo_ he called him) pays
her his monthly visit, he always stays many hours, and she sings all
her new songs to him, and then the poor old gentleman feels as happy as
if he were in Paradise. He has not many joys, and without that child he
were better in another world."
"What is the matter with him," I asked, "is he ill?"
"As you take it;" replied the old man, with a shrug of his shoulders;
"I for my part would prefer death to such a life. For those who knew
him when he was still in the army--the giant of Giovanni de Bologna on
the market-place, does not look more high spirited, and chivalrous,
than did my general--And now! it breaks my heart to think of it. The
whole day long he sits in his arm-chair by the window, and cuts out
pictures or plays at dominoes--It seems as if he neither heard nor saw,
but when his wife speaks to him, he looks up timidly and nods
acquiescence to everything she says. Only with regard to the Signorina
he has remained the same, and is not easily to be deceived. Those who
attempted it would soon perceive that the old lion's paws have still
some strength left in them although his claws have been cut."
"But how came he to sink into that melancholy condition?"
"No one knows. Many things have occurred in this house but the outer
world only whispers them. My belief is, that, that woman; I mean to say
her Excellency, the young Signora struck his heart a deadly blow and he
has never recovered from it. So he drags on the burden with which he
has loaded himself, as a resolute old soldier bears hunger and thirst
though he should dwindle to a shadow. Well, well, these are old stories
now, and cannot be altered."
During this conversation we had ascended the stair, and were
approaching the room from which the singing proceeded. The voice had a
crude inflexible sound; it was a high youthful even boyish soprano. It
seemed as if she sang only to give utterance to her thoughts perfectly
careless of the sound.
"What is the Signorina's name?" I asked, when we had reached the top of
the stairs.
Public-domain text, read in full here on John Shaqi.
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