The Death of the Gods: (Christ and Antichrist, 1 of 3)Merezhkovsky, Dmitry Sergeyevich
History
The Death of the Gods: (Christ and Antichrist, 1 of 3)
Merezhkovsky, Dmitry Sergeyevich
Biographical fiction; Julian, Emperor of Rome, 331-363 -- Fiction; Rome -- History -- Julian, 361-363 -- Fiction
It was an inviolate corner of that charming country, where the
imaginations of Horace, Propertius, and Tibullus lingered yet. Not a
single shadow of the monkish age had yet dulled that sunny littoral
between Vesuvius and Cape Misenum. Christianity it is true was not
denied there; but it was smilingly put by. Feminine sinners there were
not yet repentant. On the contrary honest women grew shy of virtue as
old-fashioned. When news of the Sibyl's prophecies arrived, menacing
the decrepit world with earthquake, or when came news of fresh crimes
and bigotries of Constantius, or of Persians invading the East, or
barbarians threatening the North, the lucky inhabitants of Baiæ,
closing their eyes, inhaled their delicious breeze full of the odour
of Falernian half-crushed in the wine-press, and consoled themselves
with an epigram. To forget the misfortunes of Rome and soothsay about
the end of the world, all that they needed was to send each other
gifts of pretty verses--
_Calet unda, friget æthra,
Simul innatat choreis
Amathusium renidens
Salis arbitræ et vaporis,
Flos siderum Dione!_
On the faces of the gayest Epicureans could be seen something at once
senile and puerile. Neither the fresh salt water of the sea bath nor
the warm sulphurous springs of Baiæ could completely cure the bodies
of these withered and chilly young men, bald and old at twenty, not
through their own debauches, but through sins of their ancestors;
youths on whom women, wisdom, and literature had begun to pall; witty
and impotent young men, in whose veins ran the blood of too late a
generation.
In one of the most flowery and pleasant nooks between Baiæ and Puteoli
and under the dark slopes of the Apennine, rose the white marble walls
of a villa.
Near the wide window, opening directly on the sea, so that from the
chamber sky and sea alone were visible, Myrrha was lying on a bed.
The doctors had not understood her malady; but Arsinoë, who watched
her sister day by day losing strength and vitality, had brought her
from Rome to the sea-coast.
Notwithstanding her illness Myrrha would clean and arrange her chamber
with her own hands, in imitation of nuns and hermits; and would
herself bring water, and attempt to wash linen, and do her own
cookery. For weeks, and to the very last stage of her illness, she
obstinately refused to go to bed, spending whole nights in prayer.
One day the terrified Arsinoë found a hair-shirt on the weak body of
her sister. Myrrha had taken all articles of luxury from her little
chamber, stripping it of curtains and ornaments, and leaving nothing
but a bed and a coarse wooden crucifix. The bare-walled room was "her
cell." She also fasted strictly and Arsinoë found it difficult to
oppose the gentle obstinacy of her will.
Public-domain text, read in full here on John Shaqi.
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