The Death of the Gods: (Christ and Antichrist, 1 of 3)Merezhkovsky, Dmitry Sergeyevich
History
The Death of the Gods: (Christ and Antichrist, 1 of 3)
Merezhkovsky, Dmitry Sergeyevich
Biographical fiction; Julian, Emperor of Rome, 331-363 -- Fiction; Rome -- History -- Julian, 361-363 -- Fiction
Round the palace resounded deafening cries from the revolted army,
shaking the old brickwork of the walls. But when a baggage-carrier,
livid with fear, ran in exclaiming, "Mutiny! The soldiers are breaking
in the iron gates!" Julian said with an imperious gesture, "Fear
nothing! We will arrange that matter presently. Let no one come into
my presence!" and taking the high-priest by the hand he hastily led
him into a dark underground vault, and closed the heavy iron door. All
was there ready. Torch-flames were glittering over the silver image of
the Sun-god, and tripods fuming; the holy vessels, full of water,
wine, and honey, stood prepared, with salt and flour to be sprinkled
on the bodies of the victims. Geese, doves, hens, an eagle, and a
white lamb which bleated plaintively, stood round in different cages.
"Quicker, quicker!" exclaimed Julian, giving a long dagger to the
priest.
The old man, who was panting heavily, began hurriedly to mutter
prayers; he killed the lamb, put a portion of the flesh and fat upon
the coals of the altar, and with mysterious exorcisms began the
inspection of its organs. With expert hands he drew forth the liver,
heart, and lungs, and scanned them from every side.
"The powerful shall be overthrown!" he said, pointing to the heart,
which was still warm; "a terrible death...."
"Whose?" Julian asked. "His or mine?"
"I know not."
"You know not?"
"Cæsar," said the old man, "be not hasty. Decide nothing to-night;
wait for the day; the presages are doubtful...."
He did not finish his sentence, but took another victim, a gander, and
then an eagle. Overhead the noise of the crowd at the gates swept like
the roar of a torrent. Blows of a battering-ram shook the iron doors,
but Julian heard nothing. He examined the bloody organs with eager
curiosity.
The old sacrificial priest repeated:
"Decide nothing to-night; the gods are silent."
"But now is the moment!" cried Julian in vexation.
Nogodarès came in, and solemnly spoke:
"Julian, rejoice! to-night your destiny is decided ... but make haste!
Afterwards it will be too late."
The soothsayer looked at the hierophant; the hierophant at the
soothsayer.
"Wait!" said the priest of Eleusis.
"Dare!" said Nogodarès.
Julian stood between the two, in perplexity scrutinising both.
The faces of the augurs remained impenetrable.
"What is to be done?" he murmured to himself. Then he remembered, and
exclaimed joyfully:
"One moment! I have an ancient book in my library, _Concerning
Contradiction in Auguries_; we shall see!"
He hurried to the library; but in a passage he encountered the bishop
Dorotheus, in sacerdotal dress, bearing the crucifix and the sacred
Viaticum.
"What is this?" asked Julian.
"The Viaticum for your wife, who is dying, O Cæsar!"
Dorotheus looked with severity at the robes of Julian, his pale face,
and his blood-stained hands.
"Your wife," continued the bishop, "desires to see you before her
death. Will you come?"
Public-domain text, read in full here on John Shaqi.
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