The Death of the Gods: (Christ and Antichrist, 1 of 3)Merezhkovsky, Dmitry Sergeyevich
History
The Death of the Gods: (Christ and Antichrist, 1 of 3)
Merezhkovsky, Dmitry Sergeyevich
Biographical fiction; Julian, Emperor of Rome, 331-363 -- Fiction; Rome -- History -- Julian, 361-363 -- Fiction
"Eh, Zotick," cried Gnyphon to an old slave who was raking horse-dung
into a basket, "come with me to clean the temple of Dionysus! You're a
master in these things! I'll pay you three obols for it."
"Of course I will," answered Zotick. "Just a moment to trim the lamp
for the goddess, and I'm at your service."
The goddess was Atalanta, patron of grooms, dunghills, and stables.
Coarsely carven in wood, and looking little more than a smoky log,
Atalanta figured in a damp corner. But Zotick, who had been bred
among horses, used to worship her, often praying with tears in his
eyes, arraying her coarse blockish feet with sweet violets, in the
belief that she healed all his ills, and would preserve him in life
and in death.
Gnyphon went out into the open space, the Forum of Constantine, which
was circular, and adorned with colonnades and triumphal arches. In the
midst a gigantic porphyry column rose from a massive pedestal, and
bore on its summit, at a height of a hundred and twenty cubits, a
bronze statue of Apollo by Phidias, which had been carried off from a
Phrygian city. The head of the Sun-god had been broken, and, with
barbaric taste, the head of the Christian Emperor, the apostolic
Constantine, had been fitted in its stead to the neck of the image.
His brow was surrounded by gilt rays. In his right hand Apollo
Constantine held the sceptre, and in his left the globe. At the foot
of the colossus was lodged a little Christian chapel, a kind of
palladium, in which worship was still offered in the time of
Constantine. The Christians defended the practice by the argument that
in the bronze body of Apollo, within the Sun-god's very breast, a
talisman was hidden--a piece of the Most Holy Cross brought from
Jerusalem. The Emperor Julian closed this chapel.
Gnyphon and Zotick proceeded along a narrow and lengthy street, which
led straight to the Chalcedonian stairs, not far from the fortress.
Many public edifices were being built, and others were rebuilding, for
so hastily had they been erected to please Constantius that they
already were crumbling away. Inquisitive gazers were wandering in this
street, stopping at merchants' shops; porters were passing by, slaves
following their masters. Overhead, hammers resounded; cranes were
creaking, and saws grinding the white stone. Labourers were heaving at
the end of ropes huge timbers, and blocks of marble glittered against
the blue. A smell of damp plaster came from the new houses, and a fine
white dust fell on the heads of passers-by. On this side and that,
between the dazzling white walls steeped in sunlight, the smiling blue
waves of the Propontic, trimmed with galley-sails like the wings of
sea-gulls, shone at the end of narrow alleys.
Gnyphon heard, as he went by, a conversation between two workmen who
were weighing mortar into a sack--
"Why did you become a Christian?" asked one of them.
Public-domain text, read in full here on John Shaqi.
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