The Death of the Gods: (Christ and Antichrist, 1 of 3)Merezhkovsky, Dmitry Sergeyevich
History
The Death of the Gods: (Christ and Antichrist, 1 of 3)
Merezhkovsky, Dmitry Sergeyevich
Biographical fiction; Julian, Emperor of Rome, 331-363 -- Fiction; Rome -- History -- Julian, 361-363 -- Fiction
The rumour went round that the Emperor Constantius had sent the
inexperienced young man among the barbarians of Gaul to get killed,
that he himself might be rid of a rival. It was said that the
generals, following the hints of Imperial eunuchs, had abandoned and
betrayed the young Cæsar accordingly. All this increased the affection
of the legions for Julian.
Skilled in the arts of winning favour, acquired during his monkish
education, Julian cautiously used every means to strengthen the love
felt towards himself and to deepen the unpopularity of the Emperor.
Before the soldiers he would speak of his brother Constantius with
meaning humility, lowering his eyes and affecting the aspect of a
victim. It was the easier for him to captivate the warriors by
fearlessness, inasmuch as death in battle seemed to him a thing to be
desired. The kind of death to which Gallus had been subjected formed
no part of his designs.
Julian had organised his life after the austere example of ancient
conquerors. His stoic education by the tutor Mardonius helped him to
endure total absence of comfort. He allowed himself less sleep than
the meanest soldier, and lay not on a bed but upon a coarse rough
carpet, like that called in popular parlance _suburra_.
The first part of the night was devoted to sleep, the second to the
business of state and war, the third to the Muses. For Julian's
favourite books were never left behind when he was campaigning. He
inspired himself with Marcus Aurelius, Plutarch, Suetonius, and Cato
the elder; and by day he endeavoured to put in practice what he had
mused over with them by night.
On the memorable morning before the battle of Argentoratum, when he
heard the _reveillé_ at dawn, Julian quickly donned complete armour,
and ordered his charger to be brought round. While waiting he withdrew
into the inmost part of the tent. There was ensconced a lovely
statuette of the winged Mercury, bearing the caduceus--the god of
movement, gaiety, success. Julian bowed before the image and threw
some grains of incense on a little tripod. According to the direction
of the smoke the Cæsar, who flattered himself that he understood the
divining art, sought to ascertain the influence of the day. Overnight
he had heard a raven crying three times--a bad omen.
Julian was so convinced that his unexpected military success in Gaul
was due to some supernatural power that from day to day he became more
superstitious.
When issuing from the tent he stumbled over the wooden beam at the
threshold. The face of the Cæsar darkened. All the omens were
unfavourable; he inwardly resolved to postpone the battle till the
morrow.
Public-domain text, read in full here on John Shaqi.
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