"I will shut this door to keep the damp out," he said. I motioned with
my hand as though bidding him shut it, which he did, and I was left
alone.
I wrapped Vanderdecken's large rich cloak about me, and stretched
myself along the bench, using my arm as a pillow. I resolved to lie
thus for at least half-an-hour, conceiving that this would be long
enough to weary any one who should take it into his head to watch
me through the cabin window. As to Vanderdecken, I did not fear his
seeing me whilst he kept his door closed. The bulkhead of his berth
was thick and apparently seamless, and his door fitted into overlaps
of the jambs, for the exclusion of draughts of air after the fashion
in old shipbuilding. I lay very quiet hearkening to the dulled beating
of the pump and watching the clock, the great hand of which was just
visible. When it came round so as to lie upon the quarter before the
hour, I rose with the utmost stealth, arranging the cloak in such a
fashion as to make the dark shape of it resemble a recumbent form, and
holding my breath, stole on tiptoe to Imogene's cabin and pushed the
door. It opened; I entered and pushed the door to again, and it jammed
noiselessly upon the soft substance that had kept it closed before.
Imogene sat on the side of her bed, that exactly resembled the bed in
Vanderdecken's room which I have described. She was fully dressed,
and had on a fur or sealskin cap, with flaps for the ears. A small
silver lamp of a very ancient pattern hung from a hook in the great
beam that traversed the ceiling of her cabin, but she had trimmed or
depressed the mesh into a feeble gleam. The little door that led to the
quarter-gallery stood open. I kissed her cold forehead, and whispered,
"Are you ready?"
"Yes!"
I held her hand whilst I could have counted ten, but found it steadier
than mine.
"Come, dearest!" said I, and I stepped into the gallery.
The fog put an intolerable blackness into the air, and the chill of it
was like frost upon the flesh. But for the phosphorescence of the sea,
which I had before lamented, I should not have been able to see the
boat under the counter. As it was, the tweaking of the line to the rise
and fall of the Death Ship kept a small stir of water about the boat;
the greenish-yellow shining showed through the fog and threw out the
figure of the structure. The railing of the gallery rose to the height
of my breast. I leaned over it, waving my hand in the blackness for the
rope, and not catching it, bade Imogene seize my coat to steady me, and
jumped on to the rail, and in a moment felt the line and grasped it;
then dismounted, holding the rope. In a few seconds I had the boat's
head--that was square and horned, as you will remember--fair under the
gallery, and in that posture I secured her by hitching the slack of the
line to the rail.
Public-domain text, read in full here on John Shaqi.
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