"Criminal! A criminal's a fool. I'm no fool, or never was before. I lost
my head. That's only once. Criminal! Why, look here! What do you make
out of this world you and I have been shovelling dirt in now some years?
Isn't every man in it for himself and against his neighbor, if his
neighbor's in his way--which he partly is, always? Do people go into
society to amuse themselves or each other? Themselves, of course. And
business is competition, and competition's private war according to
rules of custom. I'm supposed to be a lawyer. That's a succession of
jobs at beating somebody else and getting paid for it. This civil war is
one collection of private interests against another collection. The
South was getting beaten in business--held a losing hand--wanted to
break up the game. That meant a fight. Take you and me. You wouldn't let
me out of this if you saw anything more in it. You don't see anything
more in it. I don't, either. I'd do exactly the same, for the same
reason. Never shove a man farther than you need to make your point. I
don't compete with you any more in anything. I keep out of your way and
avoid offence. For the rest, I compete. The law is an artificial line.
The line is moved now and then. At one time it's criminal to lend money
at interest and innocent to fight a duel. Another, it's the other way.
That's all right. But a man's a fool not to fight inside the line as it
happens to stand. There's room enough."
Gard thought he saw some of his own philosophies in caricature. They
looked unlovely enough in caricature. Map was an interesting man. If
peculiar, it was rather that his mind was so sharp-edged, unqualifying,
absolute. It refused to see shades. It saw hard outlines and felt the
impact of surfaces. Gard thought that at one time he would have found
him still more interesting and would not have felt this repulsion from
him. Probably convalescence was a fastidious state. He turned away to
the window. There was a domed mountain in sight, its spurs thrust
forward into the valley, sides covered partly with a young-leaved
forest, partly with pine and hemlock, and its bald, rocky head bare in
the sunlight. The train stopped at a little station by the river. The
old, battered stage rolled them away slumberously over an echoing
covered bridge, across the valley bottom lands, where the zigzag fences
and the calling of the ploughman to his team, the bluebird on the
zigzag fence, and the slim white birches along the mountain spurs all
seemed in the same concord with the ancient earth and childlike sky.
The silent, misanthropic stage-driver looked the kin of the
country-side's slow vegetation.
Public-domain text, read in full here on John Shaqi.
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