He stopped and stared. Gard leaned forward to let his horse drink, saw
his own face in the stream, and wondered what it might mean to the man
with the bandage who watched him, and whom he had somewhere seen. It
might be a critical question, what his face meant to the man with the
bandage. Crises! As one went on, every step was a crisis between the
moment past and the moment in front. The current streaked the
reflections in the water, and there were little brown minnows holding
their heads up-stream. He noticed his own expression in the
reflection--the impassive mask that he had come to wear without effort,
the spade-shaped beard, the lips whiter than the rest of the tanned
skin, which might suggest to the acute that the shaving of them was
recent, the swift curve of the hair-line, the heavy eyelids over eyes
that looked up dreamily out of the wavering water. He thought that, from
an artistic standpoint, he must look his part, or something like it,
with an emphasis. But every one travels by his own road to his own
conclusions. The man, whose white bandage wavered and gleamed in the
water near his own reflection, reminded him of one from whom he had
taken a pistol in the cornfield by the Dunker church, whose eyes had
been mad and glaring, and his hair soaked in his own blood. In fact,
that was the face. Crises! Did it mean the sudden end of his running
days? Probably either his or the other man's. Their reflections in the
stream seemed to parody them, to watch and mimic. The water chuckled.
There was something ironic in things. One fancied the current of time
itself to be streaming and streaked yellow in the sunlight, and full of
bubbles. The minnows poised and darted against the stream.
Gard's horse flung up his head with a start.
"If the message I have given you is not for you, will you not give it to
another?"
As he left the water he heard the other's horse splashing behind him.
The road turned from the river through a sandy cut in the woods. At the
woods' edge the bandaged head was beside him.
"Stranger, you don't happen to have that gun about you you stole from
me?"
Gard turned and looked into the small, black, fatal circle of a pistol
barrel, like an eye-socket with the ball in ominous retreat.
"I do not carry weapons," he said, quietly.
"You don't! I reckon you do. You ought to have plugged me down at the
ford with one of those weapons you don't carry. We're going back."
"If you wish to take my life--"
"I'd like to, mightily."
"Very well."
"You're a Yankee spy. Wheel around there and keep ahead."
"This mistake delays me. I have permission--"
"Keep your hand out of your pocket."
Public-domain text, read in full here on John Shaqi.
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