"He's a hollow fraud, you know," Gard said. "He sucks moonbeams through
his cigar, and puffs them out of his mouth." And Helen gasped.
"It's tremendous!"
But it seemed to her, putting together the two narratives, that she
might make a parable. For in Mavering's story she seemed to see colored
lights flashed skilfully on a stage with curious effect, a search-light
swinging its glare so that one scene after another leaped out of the
dark and vanished again, a pleasure taken in the mere shift and play,
the change and tumult. The narrator walked in the midst, approving of
the noise, patronizing heroism and sudden death, admiring the scenic
effect of the fire that splashed and scattered around him. It was all
color and sound, and no real interpretation beneath. It meant nothing in
the end. In Gard's story, though the tumult was great and the dangers
greater, the scenes painted clearly though more coldly, and with fewer
details; yet he seemed not to care about them so, but to be looking
wistfully beyond for an interpretation and not able to find it--not sure
that there was one; fancying there must be, somewhere, something to make
it worth while.
She sat in her old place at Mrs. Mavering's feet and turned the matter
over, and thought it strange.
It surprised Gard, in watching her, that he remembered so much, so many
little shining points of detail about her--as she had looked in the
house, under the apse of Saint Mary's, sitting so, in a white dress, a
blue ribbon at her throat, and the firelight shining on her yellow hair.
And Mrs. Mavering used to wear dark-red dresses always, and suggest
tragedy without being aware of it. They both wore black now, and
starched, white aprons. Mrs. Mavering, in some inward way, seemed more
cheerful, more like one gifted with health and humorous philosophy. She
was astonishingly beautiful. Helen had grown white and thin. How
delicate and slim the hands looked that were clasped around her knee!
She used to have a sinewy grip for a girl. Everything about her declared
personality. It always had, and still did. Only, something or other
seemed pathetic now. Morgan Map was said to be engaged to her, and would
probably boil down badly. There was pathos there. That vast primeval
brute had run his neck into a noose, by-the-way, only it would not do to
string him up if she cared for him, though it might be a blessing to
her in the long run. Mrs. Mavering might have an opinion on that. What
Map's grudge may have been did not seem to Gard of any great interest.
He had had trouble with him once about some commissary. Morgan had
looked murder, and uttered white-hot language, and Gard had "corralled"
the commissary. The man must have a grisly disposition if that were his
"grudge."
Thinking of Map, then, his big, harsh-boned face, mighty hands,
massiveness, and "grisly disposition," he glanced at Helen again,
winced, and started.
The shock went shivering through flesh and bone. It hurt. He said,
aloud, "Oh, that won't do!"
Public-domain text, read in full here on John Shaqi.
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