And in token that the song was going to be comic, Aschael got up on his
feet and set himself in a gesture he had doubtless picked up at the
Middlesex Music Hall.
"Now, Mr Aschael," said Kato.
Aschael cleared his throat.
At the first notes of a curiously thin piano accompaniment, I felt Kitty
shrink and close as a daisy closes at the approach of night....
You will tell me that I ought to have stopped the machine--smashed
it--fallen on it--done something, anything; but put yourself in my
place; nay, put yourself in the place of the three of us who sat
together, and who had sat together the last time we had heard the song
Aschael sang. Did I tell you when that had been, or didn't I? I had
better tell you now.... It had been up the River, with a summer twilight
falling, and distant banjos sounding, and the Japanese lanterns making
long, wavy reflections in the water. Our party had been four, not three,
then, and the fourth of us had sung this song Aschael was singing now.
He had sung it, lolling in the stern, beating time with one hand, and
very careful about the spotting of a new pair of white flannel trousers.
Oh yes, I daresay I ought to have done something rather than let those
two other poor things hear _that_ song again....
But a hideous fear, of which they knew nothing, kept me fascinated and
still. So long as they _only_ remembered the song and that other
occasion they were the lucky ones. I envied them their luck. No let-off
so merciful was mine.... And my horror was enhanced, not so much by
those two faces at which I dared not glance, as by our atmosphere of
tawdry festivity--the sprinkling of coloured gelatine on the floor, the
mocking caps of tissue paper on our heads, and the florid antics of
Aschael, turning and grimacing, now this way, now that.
That I might keep this added horror of mine from them, there was even
yet a chance....
For the song, you understand, was being sung _twice_, once by the
unknown maker of the record in the machine, and the second time, as it
were over it, by Aschael. As the two voices did not perfectly coincide,
the result was a sort of palimpsest of sound, with, as sometimes happens
in palimpsests, the old and almost erased message the more significant
one. Aschael kept irregular pace with a far-off amateur voice and the
faint tinkling of a piano.... Like a bolt into my brain had come the
knowledge of _whose_ that horrible instrument had been, and how it had
come into Aunt Angela's possession. I remembered her visits to
Guildford; I remembered Mrs Merridew's funeral; I remembered her old
kindnesses in providing a certain young man in London with a "home from
home." The machine had come from Guildford, a legacy, a memento, a
giggle from the tomb....
Public-domain text, read in full here on John Shaqi.
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